Find your voice and build your confidence singing as you learn techniques to develop your vocal health, range, dynamics, and articulation to take your singing to the next level
Find your voice and build your confidence singing as you learn techniques to develop your vocal health, range, dynamics, and articulation to take your singing to the next level.
This Find Your Voice - Singing for Beginners package includes six tutorial videos to help you along your way. You can watch each tutorial as many times as you want and at your own pace. (On demand videos are available to view for 1 year from purchase).
If you’re ready to embark on your musical journey at a pace that suits you, then this is the perfect option.
Learn to play the ukulele at home with this introduction to your instrument, chords and melodies, finger style and strumming technique
This Absolute Beginner Ukulele package includes six tutorial videos to help you along your way. You can watch each tutorial as many times as you want and at your own pace. (On demand videos are available to view for 1 year from purchase).
If you’re ready to embark on your musical journey at a pace that suits you, then this is the perfect option.
Our Performance Poetry course will introduce you to the techniques of performing the spoken word that is derived from your own creative writing. The course will look at how the written and spoken word differs, conventions of the spoken word, how to break the rules and how to find your own style. The sessions will be fun, inclusive and cater for those with experience as well as beginners. The course will also offer the opportunity to perform your creative work in front of an audience.
This course is suitable for all levels, from beginners to those with some experience who want to refresh their knowledge and hone their performance skills. Previous experience of performing or creative writing would help get the most from the course but these skills are not required. However, attending this class in conjunction with one of WMCs creative writing courses may be helpful. You will also will need to complete an Individual Learning Plan.
Are you aged 16 - 29 years old and not in employment, education or training and live in Coventry? Want to gain experience in Live Events and Outdoor Arts?
We are looking for young people who are interested in the creative or technical side of live events and outdoor arts to join us on our next training programme.
Are you interested in sound design and engineering, art and design or want to know how to put on an event? Then this is the ideal practical training course for you, where we will support your progression and offer one to one guidance on your pathway into the creative industries.
Training takes place at Daimler Powerhouse Creation Centre, 10 minutes from Coventry City Centre.
No formal qualifications required.
Interested? Email Tayyaba at the address below, or call Jane Hytch: 07808 429619
Mountview is currently the only UK drama school to offer Directing, Dramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries.
By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts.
Students on the Directing pathway will develop professional-level directing technique through classes and seminars, as well as opportunities to work as an assistant director and to direct their own work.
The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Producing and Performance students.
Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Directors, Creative Leaders, Theatre Makers, Artistic Directors, Commercial and Independent Producers, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.
STAFF AND PRACTITIONERS
The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination).
In addition to working alongside the core teaching team, MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:
Emily Aboud Award-winning director, Tender and Lady Dealer (Bush Theatre)
Sean Holmes Associate Artistic Director of Shakespeare’s Globe; former Artistic Director of the Lyric Hammersmith
Denzel Westley-Sanderson Winner of the RTST Sir Peter Hall Directing Award
Ned Bennett The Curious Incident of the Dog in the Night-Time (Birmingham Rep)
Ola Ince Director of Tina: The Tina Turner Musical (International Associate Director, London/Hamburg/Broadway/Utrecht) and Appropriate (Donmar)
Lucy Morrison Director of Hope Has A Happy Meal and This Is Not Who I Am (Royal Court)
This Musical Direction course has a 1-year MA or 2-year MFA option, offering students a more in-depth training experience. The course is an intensive for skilled musicians with ambitions to work in music leadership roles within theatre and beyond.
We have a strong reputation in the industry for rigour and quality, and previous students on the course can be found working on a diverse range of musical theatre productions across the West End, UK and internationally. The course is suited to experienced pianists, accompanists and conductors who have worked with singers, actors and instrumentalists, or would like to develop their skills in this area.
Mountview has developed an internationally renowned reputation for its commitment to musical theatre. Our state-of-the-art facilities in South London and the network of industry professionals who contribute to the teaching provide the ideal springboard for a career in music direction.
COURSE CONTENT AND DELIVERY
Teaching and contact time vary at different times of the year and depending on assignments. Each student has a bespoke timetable typically receiving between 15 and 25 hours each week. These comprise of core components and cross-course classes combined with allocated roles on projects and productions.
Across the year students will attend classes and seminars with leading practitioners and industry specialists; receive individual tutorials; assist professional musical directors on in-house and public productions; and lead musically on selected projects.
Assessment is ongoing and based on work throughout the course, culminating in summative assessment points in the second and third terms.
Mountview is currently the only UK drama school to offer Directing, Dramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries.
By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts.
Students on the Producing pathway develop a robust and practical understanding of producing, across both the commercial and not-for-profit sectors. You will expand your understanding and critical awareness of current practices through extensive engagement with leading industry practitioners and academics.
The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Directing and Performance students.
Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Commercial and Independent Producers, Creative Leaders, Theatre Makers, Artistic Directors, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.
STAFF AND PRACTITIONERS
The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination).
Recent guest tutors on the Producing pathway have included Alison King (Turtle Key Arts), Daniel Cooper (The Yard), Joseph Smith (Stage One), Will Bridgeland (Candoco Dance Company), Katie Town (Theatre Royal Wakefield), Jo Crowley (Aakash Odedra Company), India Crawford (Arts Council), Belinda Clark (Brixton House), Ed McGovern (Crossroads Live), Davy Berryman (The Lost Estate) and David Ralf (Theatre Deli).
MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:
For over 25 years Mountview has been internationally renowned for the quality of its musical theatre tuition and our alumni continue to influence and shape the industry.
Our intensive 1-year MA programme delivers focused, culturally engaged, practical performer training. The course enables graduates to confidently enter the industry, fully prepared with the skillset to assuredly navigate the demands of any performance space.
COURSE CONTENT AND DELIVERY
Students receive over 30 hours of direct teaching time each week, with a maximum of 17 students per class.
Over the first two terms you will undertake skills training split equally between the three essential musical theatre skills – acting, singing and dance – including one-to-one singing lessons and classes in acting for camera in term two. In each term, the skills work is then applied to performance projects. These projects include work on non-musical contemporary texts, and classic and contemporary book musicals.
There will be additional lectures and seminars on devising, autobiographical and solo performance, as well as on concepts such as intersectional feminist, post dramatic, queer and critical race theories, socio/political theatre practices and the performance of knowledge.
Through the first and second term, all students undertake the Creative Project, creating an original piece of theatre or film, performed at the end of term two. The Creative Project is supported and developed by one-to-one tutorials and influenced by the concepts discussed in the seminar/lecture programme.
Mountview’s MA Acting course delivers vocational, culturally engaged and practical performance training.
Over an intensive one-year programme of study, students will be thoroughly prepared for a career in theatre, TV, film and recorded arts. The MA is delivered through workshops and classes designed to expand the skillset and develop the individual strengths of each student.
COURSE CONTENT AND DELIVERY
Students receive over 30 hours of direct teaching time each week, with a maximum of 17 students per class.
Over the first two terms you will undertake rigorous skills training in all areas of an actor’s professional practice, including acting technique, voice, movement, singing, stage combat and acting for camera and recorded media. In each term, the skills work is then applied to performance projects, working with contemporary and classical texts.
There will be additional lectures and seminars on devising, autobiographical and solo performance, as well as on concepts such as intersectional feminist, post dramatic, queer and critical race theories, socio/political theatre practices and the performance of knowledge.
Through the first and second term, all students undertake the Creative Project, creating an original piece of theatre or film, performed at the end of term two. The Creative Project is supported and developed by one-to-one tutorials and influenced by the concepts discussed in the seminar/lecture programme.
Over 25 years ago Mountview created the UK’s first specialist three-year musical theatre training.
Decades later, our alumni continue to influence and shape the industry and Mountview is internationally renowned for the quality of its musical theatre tuition.
Early application is strongly encouraged.
COURSE CONTENT AND DELIVERY
Study takes place over three 12-week terms a year for three years. Students work in small classes and receive over 25 hours of direct teaching time each week, including one-to-one singing lessons.
The course is delivered through classes, projects, workshops and performance opportunities. During the course students engage in a range of performance projects, including Shakespeare, contemporary plays and musicals. The first half of each term is devoted to skills classes whilst in the second half of each term these skills are applied to performance projects.
In the second year, skills are further explored in collaboration classes which include peer integration and team teaching to enhance your creativity and help you to make connections between subjects.
Additionally, there is time given to tailored ‘surgeries’ to focus on detail and help develop independence and confidence in each individual’s practice.
