We believe that playwrights have a vital role to play in the conversation around the climate. Theatre is a space for animating audiences, forming communities, and experimenting with form; a space for processing the past, articulating the present, and imagining the future. In order to surface the breadth and diversity of new stories about this planetary moment, the Climate Playwriting Prize is an open invitation to playwrights to respond creatively to this subject matter. Regional and touring theatre is playing a vital role in engaging audiences, and we are partnering with organisations all around the country to deliver workshops to writers, unlocking how they might want to tell their climate story.
This moment is marked by rising temperatures, escalating impacts of change on communities and ecosystems, but also by the potential for us to transform society for a flourishing, equitable future for all life. The need for new stories that help audiences grapple with the realities and possibilities of this crisis has never been clearer
In order to surface the breadth and diversity of new stories about this planetary moment, the Climate Playwriting Prize is an open invitation to playwrights to respond creatively to this subject matter. We are partnering with organisations all around the country to deliver workshops to writers, unlocking how they might want to tell their climate story.
Creative Steps funds the professional, business and organisational development of artists who have experienced barriers to careers within the arts.
Creative Steps for Individuals is for supporting career development, and NOT for creating new work or project delivery. For example, creating artwork to sell online would not be applicable but working with a mentor to develop your painting skills would be.
We want artists to identify exactly what they need to progress and professionalise their artistic career, and to remain open to exploring different ways of doing this with our support.
We recognise that everybody’s needs are different and that professional development varies from individual to individual. However, these are some of the things that your application could include:
When completing the budget, you should include the following:
We expect all applicants to pay freelancers the standard industry rates as a minimum. If people are providing their time in-kind, we would need to know why and have this confirmed in a letter of support from them.
The Open Fund for Individuals is one of Creative Scotland’s key funding programmes, supporting the wide range of activity initiated by artists, writers, producers and other creative practitioners in Scotland. The overall annual budget for this fund is £5 million.
The fund is intended to support periods of research, development and/or delivery of creative activity, such as specific projects and productions for up to 24 months. It can support an individual’s time where this is related to specific creative outcomes.
We will ask you to tell us the start and end date for this activity and to describe the outcomes, benefits and impacts that you wish to achieve.
Freelance and self-employed artists and creative practitioners living in Scotland who are at least 18 years old are eligible to apply. You must have a UK bank account in your name.
If you are not a self-employed individual or a sole trader, you may be eligible for the National Lottery Open Fund for Organisations.
Please read the guidance for full information on eligibility.
You can apply for between £500 and £50,000.
As standard, if your application request is between £500 and £20,000 you will hear the outcome in 10 weeks. If your application request is between £20,001 and £50,000 you will hear the outcome in 14 weeks.
Please see above for details of our 25/26 Christmas closure and the effects it will have on our processing timelines.
The Support for Individual Artists Programme (SIAP) is a range of schemes which aim to support artists across all disciplines to create work and develop their practice
The Project Funding for Individuals scheme aims to support the wide range of activity that can be undertaken by artists of all disciplines in relation to their practice, and to enable innovation and experimentation. A “project” and its associated costs can be any activity that develops and supports your creative practice.
Project proposals could, for example, be any of the activities below - or a combination of them:
If you are looking for information on other Support for the Individual Artist Schemes, guidance notes for all schemes are available from artscouncil-ni.org/funding/funding-for-individuals You should read the guidance notes for each scheme to find the most suitable for you and your project idea.
Every year, Mountview awards a range of scholarships and bursaries to support students with the costs of study, made possible thanks to generous individuals, trusts and foundations.
Scholarships are awarded on the basis of talent, potential and financial need and designed to ensure that cost is not a barrier to study.
In 25/26, 1 in 3 students received a scholarship with the average award being £3,250.
We usually receive far more applications for scholarship funding than we have available, so we encourage you to seek other funding opportunities as well and will provide support and guidance to do so.
Find out more about Funding and Scholarships at Mountview.
In 2019, as a present to himself for his 80th birthday Ian McKellen went on a tour of the UK visiting 87 venues with a one-man show. The aim was to raise money for each venue he visited. Later that year the show transferred to the West End for 88 performances.
The final two shows were captured by the producing team in conjunction with NT Live. In 2021 the show became, and remains, available to watch on Amazon Prime for customers in UK and Ireland and globally via NT @ Home.
All remaining profits from both the West End run and the future broadcast including any salary Ian would have received will be distributed to help emerging producers by providing a one-off grant.
This grant may be used towards both capitalisation and running costs, specifically for the payment of actor wages. Awards of up to £25,000 are available, provided the Producer pays the cast no less than Equity minimum rates and that total actor fees are consistent with industry norms for the venue in which the work is presented.
The Live Entertainment & Arts Foundation and ATG Productions are proud to facilitate these grants to enable ambitious theatre productions that create employment for artists, expand opportunities for emerging producers, and bring high-quality work to audiences that might otherwise not reach the stage.
Between now and April 2029, our ambition is to provide support to a minimum of 30 productions by way of these grants.
This grant supports emerging theatre producers and independent production companies to create ambitious work and employ larger casts.
Purpose of the Grant
The grant aims:
The Black Artists Grant (BAG) offered by Creative Debuts as a no-strings attached financial support to help Black artists. They can spend the grant on whatever they want – be that make new work, buy equipment or materials, travel, research, visit exhibitions or conferences, or to even just cover some life expenses.
This grant has been set up because Black artists are systematically under-supported by the art world; by institutions, curators, the artist-led scene, major and minor funding bodies, the market, art schools, and by audiences too.
Creative Debuts recognises that a full institutional overhaul and dismantling of racist structures is required to transform the industry permanently, but they hope in a small way that this grant will help enable recipients to continue their artistic practice when the odds are so stacked against them
There is no deadline as this is a monthly rolling grant, no age limit, and the grant does not expect any outcomes or reporting. Please only apply once, if you apply in February for example, you are still eligible for selection in a different month, all applications are kept and reviewed.
Financing your studies may seem daunting at first, but help is at hand. Bristol Old Vic Theatre School will provide all the support you need to take control of your finances.
For fees purposes, Bristol Old Vic Theatre School classifies students as UK or International. Your residency classification determines the amount you pay in tuition fees as well as the financial support available to help towards tuition fee costs and living expenses.
The School is deeply committed to equality of opportunity and students are admitted solely on the basis of merit. In light of this, the School does its best to ensure that no student offered a place is prevented from enrolling on the grounds of financial hardship.
The School offers a wide range of scholarships to students regardless of domicile. These scholarships are supported by a variety of generous donors including City Livery companies, grant-making trusts and foundations, businesses and individuals.
A scholarship award may be made to cover either the full or partial costs of tuition fees, and may also include support for maintenance costs. Awards are made to individuals on the basis of their talent, potential and personal financial need. The School allocates in excess of £2million per annum to such eligible students.
The Wayne Sleep Foundation Awards are medium to large sized grants given to individuals who have obtained a place at a higher education Arts Institution, and are specifically to be put toward accommodation and living costs.
In previous years, the Foundation has supported students who have gained places at: Academy of Live and Recorded Arts, Central School of Speech and Drama, Dance for All, Elmhust School for Dance, Hammond School, Laine Theatre Arts, London Studio Centre, Northern Ballet School, Rambert School, Royal Academy of Music, Royal Ballet School, Royal College of Music.
The Foundation has also supported organisations and projects, including those organised by: Central School of Ballet, Circus Arts, British Ballet Organisation, Dance Forward Summer and Easter Schools, Dance Northern Ireland, Dance Teachers’ Benevolent Fund, English National Ballet School, Fertile Ground, Liverpool Theatre School, National Ballet of Cuba, One Dance UK, Peter Darrell Trust, Rambert School, Royal Academy of Dance, Urbana Academy, and Yorkshire Ballet Seminars.
