Would you like to see your writing performed by professional actors? Are you interested in learning more about writing for stage?
Wac Arts is thrilled to continue their intergenerational series with a free creative writing project exploring how theatre and storytelling can promote positive conversations and relationships across the community.
They are looking for young people aged 16 – 24 with an interest in creative writing and theatre to take part in a series of weekly workshops with members of the University of the Third Age at Wac Arts. Under the guidance of playwright Beth Flintoff, Associate Playwright at The Royal Court, the group will explore key aspects of writing for theatre, receive 1:1 script development support and create a series of pieces that will be performed by professional actors.
Dates: 1 June - 13 July, 16.30pm - 18.30pm
Final Sharing Date: 19 July, 13.00pm - 17.00pm
Location: Wac Arts, 213 Haverstock Hill, London NW3 4QP
"We believe everyone deserves a seat at the theatre..."
Jamie Wilson Productions and Nederlander are proud to introdcue the Pay What You Can ticket scheme for The Devil Wears Prada The Musical, now playing at the Dominion Theatre, London.
They know theatre isn't always affordable. With their Pay What You Can scheme, you set the price, making the magic of theatre accessible to more people.
How To Apply:
There are up to 10 PWYC tickets available per performance, and individuals or small groups can request tickets. If groups are looking to attend in larger numbers, they can either split across multiple dates or get in touch with Georgia at Jamie Wilson Productions first to explore options with the box office.
We have a limited number of £10 tickets available for Under the Shadow at the Almeida Theatre.
Tickets are available from 2 April - 5 April at 7.30pm.
Click the link below to access up to 2 tickets.
They travel on the wind, just like that missile, and they only land once they find someone to possess.
Babak Anvari’s BAFTA-winning film, acclaimed as a ★★★★★ “ghostly Iranian gem” (The Observer), is reimagined by Carmen Nasr in this suspenseful stage adaptation, directed by Nadia Latif and featuring a cast led by Leila Farzad (I Hate Suzie; Kaos).
When Shideh’s husband is conscripted to serve on the frontline, she is left alone with her young daughter as Tehran is bombed. As the missiles strike, something more ancient and malevolent is carried on the wind.
The world premiere adaptation of this “gripping thriller” (The Hollywood Reporter), set amid the 1980s Iran-Iraq War, explores the boundary between the rational and the irrational, and the question of whether to leave or stay.
Age Guidance: 14+
Content/Production Warnings: This production includes depictions of death, war, bombing, political oppression, and violence including against children. This production also includes flashing lights, haze, blackouts, and sudden loud noises including sirens.
Have you ever wanted to work backstage at The Old Vic?
OV Backstage will offer paid placements on an Old Vic main house production to six 18–30-year-olds from underrepresented backgrounds in the arts.
Participants will shadow industry professionals across 15 paid sessions and get hands-on experience in one of the following disciplines:
The programme starts with induction sessions and culminates with a networking session to help participants take the next steps in their careers.
Each participant will receive a fee for taking part in the programme. Additional support for travel costs is available if required.
Who is this programme for?
OV Backstage has been set up to specifically work with people who are currently underrepresented in backstage roles. This includes people from the global majority, women, those from working class backgrounds, care experienced people, neurodiverse people and disabled people. They are particularly keen to hear from people who have had limited or no access to arts opportunities in the past and are committed to identifying and resolving barriers which may ordinarily exclude young people from accessing theatre.
This programme is for those at the start or early on in their careers who can demonstrate a passion for theatre and their chosen discipline. You must have some transferable skills or prior experience. This could be gained from school, a short course, volunteering or your own self led learning. They will not accept applications from anyone with an established theatre career or who has undertaken paid work in their discipline.
Is money stopping you from taking part in music, dance or drama?
NAYT grant music bursaries, dance bursaries and drama bursaries, up to £1,000 each, to talented young people aged 12-25 who can’t afford to access opportunities in the arts. A bursary typically pays for a year’s part time dance, music or drama classes, and it can be used to cover some other expenses and costs too, including tuition fees at drama school.
They open applications for bursaries several times a year, and the next deadline is 3 June 2026. If you apply after this, we’ll consider your application in the next round. Sign up to their newsletter and they’ll keep you posted about future deadlines.
Mischief Comedy have just announced the next round of their workshops for professionals looking for CPD:
Unleash your inner Mischief Maker and dive into the world of comedic text with Mischief!
Led by a Mischief Member, this course takes you through the Mischief method of working with comedic text. Each week, you’ll explore key comedic techniques. From understanding the classic clown archetypes (Auguste, Bizarre, Naive) to mastering status dynamics, using scenes from Peter Pan Goes Wrong to help illustrate the power of status shifts in comedy. Alongside these core concepts, you’ll explore the art of masking, audience interaction, and the importance of timing, learning how to facilitate comedic moments even when you’re not delivering the punchline.
Each week, we’ll explore a new area of study, equipping participants with a diverse set of skills to deepen their understanding of comedic text brought to life in a supportive, playful environment, where making mistakes is part of the fun. Ideal for actors and performers looking to develop their confidence and ability to interpret and perform comedic text.
This course is ideal for aspiring performers currently in, or soon to be entering, the performance industry.
Learn story structure and joke structure through long-form improvisation. We will teach participants how to build stories using emotional and character connection, encouraging ways of creating comedy without the need to “be funny”.
Join a Mischief founding member as they you through some of the fundamental principles used to create Mischief’s multi award-winning global hits The Play That Goes Wrong, Peter Pan Goes Wrong, the BBC TV series The Goes Wrong Show, and many more.
This course is designed for performers who are either currently working in, or about to enter, the performance industry.
For all the information, including available dates, head over to the opportunity link.
Perfect for anyone aged 18+ interested in acting for screen.
This two-day course will introduce you to the techniques and skills required for acting in film and television. Learn key techniques including how to prepare for a scene, be present and how to connect with your scene partner, to give authentic and truthful performances.
You can expect to: Explore the differences between acting for stage and screen; Learn how to analyse a scene quickly and accurately; How to prepare for a scene; Work on short, scripted scenes; Learn about visual storytelling; Draw on your own life experience using the mindset technique; Utilize your imagination to bring an inner life to characters; Develop your confidence in front of a camera.
Some preparation work including reading and learning short, scripted scenes, will be required as part of the course.
Dates: Sat 18 – Sun 19 Jul 2026
Cost: £285
Deadline to book: 5pm, Friday 3 July 2026
Perfect for anyone aged 17+ who has an interest in acting and would be interested in applying for Drama School or an equivalent programme. It is also open to actors who are interested in improving their general audition technique.
Whether you are interested in developing a speech for drama school or university or just generally improving your audition technique, this two-day course will give you an insight and introduction into the tools you need to succeed.
You will look at: How to choose a speech and what to look for; Practical exercises that can be used to unlock the speech and enhance understanding; Discussion on the audition environment and techniques to encourage relaxation and readiness; Tips and techniques to bring the speech to life.
You will be expected to engage in practical tasks on the speeches that you bring to the course to work on. The atmosphere will be informal and welcoming. You will need to choose a Shakespeare speech and a modern speech that you connect with in advance of the course.
Dates: Sat 1 – Sun 2 Aug 2026
Cost: £285
Deadline to book: 5pm, Friday 3 July 2026
The UK’s essential exhibition for theatre technicians, suppliers and live performance professionals. The ABTT Theatre Show brings together the specialist companies, expertise and networks that power theatre, performance and live events — all under one roof.
Discover new products, strengthen relationships, attend free seminars, workshops and reconnect with the people who make theatre happen.
The ABTT Theatre Show provides THE essential meeting point for our community – supporting our suppliers, service providers and networks with the opportunity both to renew existing relationships and to forge exciting new connections. Part of encouraging this conversation, collaboration, mentoring and training is the range of range of activities is presented over the two days, including a variety of meetings, debates and seminars.
As well as the opportunity to meet with organisations and professionals from the industry, the event offers a range of seminars and workshops on a range of topics to give you the skills you need to take out into your professional life.
Head over to the opportunity link to grab your FREE ticket.
Emma Rice Company Training Programme is offering a unique opportunity for theatre makers aged 18+. The theatre maker taster is a free, day-long workshop.
In this practical workshop members of our Malory Towers show team will introduce participants to the Emma Rice Company method. You will play games, learn songs and devise. You will experience first-hand how Emma Rice Company builds an ensemble and creates their critically acclaimed shows.
Actors, singers, musicians, dancers, directors, acrobats, clowns, and theatre-makers are all invited to apply. You don’t need loads of experience, but you do need to be a confident performer.
The Emma Rice Company is one of the UK’s leading ensemble theatre companies, and our performing ensemble is a vital, professional and playful part of the family. Our Training Programme runs workshops and courses to inspire the next generation of theatre makers.
At Emma Rice Company, we actively encourage people from a variety of backgrounds with different experiences, skills, and stories to join us and influence our work. We know that people who are D/deaf disabled or neurodiverse, from the global majority and / or from a lower socio-economic background are under-represented in the theatre industry. Therefore, if someone identifies as having one or multiple of these protected characteristics, we are particularly interested in meeting them.
Please note as Emma Rice Company offers this workshop around the country, preference will be given to local artists. We consider our taster as being an ideal way to connect with regional artists that we wouldn’t normally get the opportunity to meet.
Dates & Venues
Friday 8th May - Theatre Royal Bath
Friday 15th May - Belgrade Theatre
Wednesday 20th May - Brighton Festival
Friday 29th May - Leeds Playhouse
Friday 12th June - Manchester Home
Wednesday 17th June - Liverpool Playhouse
Friday 17th July - Yvonne Arnaud
Thursday 30th July - Alexandra Palace
Theatre Royal Bath - 10th April
Belgrade Theatre - 10th April
Brighton Festival - 10th April
Leeds Playhouse - 16th May
Manchester Home - 30th April
Liverpool Everyman & Playhouse - 5th May
Yvonne Arnaud - 4th June
Alexandra Palace - 17th June
