The Space are always keen to read proposals from theatre-makers and have a rolling submission window. Our programming window is now considering January 2027 onwards.
We accept proposals from new, emerging and established theatre-makers. We only programme work that is/will be ready to stage, rather than work in development. We expect you to have/be able to recruit your own creative team, although we can provide support to livestream your show.
We are particularly excited by:
We enjoy listening to theatre-makers about the work that they want to create and are open to proposals on all subject matter. The following is a list of some of the themes and topics we think would be interesting to explore:
We recognise the inequality of opportunity that exists in our industry and society and strive to showcase and highlight the work of diverse theatre-makers. We monitor and review representation within our programming on a regular basis.
We offer:
Essential Information:
For more information and to submit, click the Opportunity Info link below!
After the announcement of its closure, Forest Forge has allocated remaining funds to support local artists and organisations with grants of between £500 – £5,000.
In 2026 Forest Forge Theatre Company announced its closure after 45 years of making and touring theatre in the New Forest. As the journey comes to an end, the team are eager to support artists and cultural community organisations in the New Forest via some small commissions. We hope that by providing small pots of funding we can support sustainability and can seed fund new ideas.
We have ringfenced some of our remaining funds to support local artists and organisations with grants of between £500 – £5,000. We anticipate making between 5 – 10 Forge Ahead Commission grants.
Projects should deliver activity within one of our three areas of activity:
We are also especially excited to support projects and ideas that complement the Forest Forge ethos; those that are playful, heartfelt, joyful and irreverent.
Funds can be used for any number of costs including artist fees, travel, room hire, materials, marketing, training and can be used as match funding.
We welcome applications from:
Projects must:
Key dates:
Grants are made at the discretion of the trustees and decisions are final. Successful applicants will be required to report back to a Forest Forge Trustee after the closure of the company.
For more information, click the Opportunity Info link below!
This year Cork Theatre Collective are looking for three pieces of theatre in development to present as works-in-progress for audiences during SHOW, on 27, 28 and 29 November 2026.
What you get:
Access:
Access costs are covered separately
Who can apply?
Key dates:
For more information and to submit, click the Opportunity Info link below!
Come and get a real behind‑the‑scenes look at what it’s like to work backstage on an Emma Rice Company production. You’ll hear directly from our award‑winning technical team and get a sense of the skills and teamwork that go into bringing a show to life. Whether you’re curious about show calling, mixing sound, setting props, or touring, this workshop is a great way to find out more.
We’re looking for people at the start of their career. You don’t need experience in mixing or show calling, but you do need some experience backstage. You’ll be over the age of 18, will have had some training or some work backstage (including youth, community, or amateur productions) and you’ll be looking to take your next step into the theatre industry. We want to hear from emerging Stage Managers, Wardrobe, Sound, Lighting and AV Technicians, with an interest in touring. Or maybe you've got experience in film, TV or music production and are interested in expanding your skillset.
Taster Details*:
(Subject to change*)
We encourage all participants to attend a performance of Tristan and Yseult, either before or after the tech taster, to get the most out of the day.
Essential Information:
For more information and to apply, click the Opportunity Info link below!
Join playwright and associate artist Carl Grose and Spymonkey founder and co-artistic director Toby Park as they attempt to crack open the mysterious, maddening and utterly marvelous process of how to go about writing a show for Spymonkey.
Who's it for:
Why we think it is important:
Spymonkey worked for many years as a devising company. We took a huge step forwards in our creative process when we began working with a writer, and as it happens the first writer we ever worked with was Carl, for Oedipussy. It was a revelation, and we couldn’t understand why we hadn’t done it sooner! The writer brings so much to our intensely collaborative process: provocations for improvisation exercises, hot-seating, taking on the task of dramaturgical structure, of character arc, sifting and compressing the hours of improvisation, creative meetings with designers and directors and ridiculous conversations over tea breaks. And of course for the actual nuts-and-bolts of script-writing. Since then we’ve worked with a load of writers, but we keep coming back to working with Carl because he is brilliant and he understands Clown and our Theatre of the Funny.
What will be explored:
Please note: There will be writing involved, but we also find it essential to explore writing practically and on its feet. All participants will be encourages to join in the work and support the development of others so writers come expecting to get up and play, and performers ready with their pen (or laptop).
Essential Information:
For more information and to book, click the Opportunity Info link below!
Part of Brighton Comedy Festival, with Kennedy Street Recovery Hub - Find your confidence. Find your community. Find your funny - and maybe even find yourself.
Laughter really can be the best medicine! If you’ve experienced substance use challenges, this unique series of comedy & clowning workshops is for you. Through play, performance, & connection, you’ll discover the healing power of humour – & have a good laugh while you’re at it. Whether you’ve never set foot on a stage or you’re just curious to try something new, Finding Your Funny helps boost self-esteem, build confidence, & create a strong sense of belonging. It’s a safe & supported space to be silly & turn life’s messiness into moments of joy.
Join Spymonkey’s Petra Massey, a world-class comedy performer, teacher, & co-founder of the legendary international comedy troupe Spymonkey. With 40 years of experience in making people laugh, Petra brings warmth, wisdom, & a whole lot of fun to every workshop. Petra will be assisted by the inimitable clown Peter Mielniczek & Kennedy Street Recovery Hub’s Sam Hunt, certified professional recovery coach.
Essential Information:
Taster Session:
If you’re curious but not quite ready to commit, join us for a relaxed 3-hour taster workshop with Petra Massey.
For more information and to book, click the Opportunity Info link below!
Applications are open now!
Course Details:
The Advanced Training programme allows a small group of around 20 artists to come together to form a company who will work together for 5 days.
The course is a highly energetic and creative programme, suitable for participants with an interest in extending their knowledge and practice of devising and physicality techniques.
Building on the content covered in our Introductory and Intermediate workshops, our Advanced Training programme will build on these skills and put them into practice.
Please note: This course is aimed at either those with professional experience in some area of performance and/or those that that have taken part in our Intermediate course.
Essential Information:
For more information and to sign up, click the Opportunity Info link below!
What is it that makes you as a performer uniquely funny? How do you share that brilliant, special ridiculousness with an audience so that they are helpless with laughter?
In this 5-day introduction to Spymonkey Clown we will focus on how to identify and develop that particular quality of Funny that is special to you, and only you.
You will be supported to develop these comedic skills in a safe, fun and laughter-filled environment. This positive group dynamic will allow you focus on identifying and trusting your best impulses, taking risks, being adventurous, generous and honest as a performer. In this highly enjoyable workshop we will play games and exercises, developing trust and complicity with the group. You will find the pleasure in your own ridiculousness, stay optimistic, discover your comedy gold, and get ready to laugh until your face hurts.
We will share many of the methods that Spymonkey have found essential over the years in creating Theatre of the Funny: physical games, improvisational games, status exercises, physical comedy routines, chorus exercises and parody.
Essential Information:
For more information and to book, click the Opportunity Info link below!
What is it that makes you as a performer uniquely funny? How do you share that brilliant, special ridiculousness with an audience so that they are helpless with laughter?
In this 5-day introduction to Spymonkey Clown we will focus on how to identify and develop that particular quality of Funny that is special to you, and only you.
You will be supported to develop these comedic skills in a safe, fun and laughter-filled environment. This positive group dynamic will allow you focus on identifying and trusting your best impulses, taking risks, being adventurous, generous and honest as a performer. In this highly enjoyable workshop we will play games and exercises, developing trust and complicity with the group. You will find the pleasure in your own ridiculousness, stay optimistic, discover your comedy gold, and get ready to laugh until your face hurts.
We will share many of the methods that Spymonkey have found essential over the years in creating Theatre of the Funny: physical games, improvisational games, status exercises, physical comedy routines, chorus exercises and parody. Toby particularly enjoys using music as a source of comedic inspiration, so we will also look at how song, dance and musicality can lead us to new and unexpected comedic territory.
Essential Information:
For more information and to book, click the Opportunity Info link below!
Production placements are on of National Theatre's career development initiatives. They aim to provide opportunities for those currently underrepresented in the theatre workforce.
We are committed to diversity and access by prioritising individuals that we recognise are currently underrepresented in our organisation and across the theatre industry: individuals who are part of the Global Majority, who are D/deaf or disabled, are from lower socio/economic backgrounds.
Key Details:
Production Placements aim to build on the existing skill level or experience of the placement, ensuring the opportunity offers the most impact wherever they are in their journey for a career in theatre. These opportunities are open to those aged 18 and over.
This opportunity is for someone interested in learning more about the use of video in live production. The role will provide the opportunity to shadow and observe the work of the Sound and Video team (video bias), on The Jungle Book adapted by Anupama Chandrasekhar.
The role will be most suitable for someone who is interested in pursuing a career as a theatre technician with a video bias or video technician. You may have completed an apprenticeship or have other training or experience that demonstrates your interest in technical theatre and/or video in live productions.
Key Dates:
Job Requirements:
What we're looking for:
Job Responsibilities:
The placement will offer the opportunity to:
For more information and to apply, click the Opportunity Info link below!
