Good Chance and Sheffield Theatres are partnering to offer a practical Production Management traineeship for someone from a refugee or asylum-seeking background with experience of forced displacement, to join our team for 2 to 5 days a week over two months.
The successful candidate will support the planning and delivery of productions and events within a busy producing theatre. Working closely with the Production Manager and wider Production and Technical teams, the Trainee will gain practical experience of professional theatre production from planning and rehearsal through to technical rehearsal and performance.
ABOUT THE OPPORTUNITY:
The trainee will join Sheffield Theatres during the final stages of production for Twelfth Night, gaining first-hand experience of the technical rehearsal process and opening in the Crucible Theatre. The Open Works Festival will also take place during the early part of the traineeship, offering opportunities to experience work across the Montgomery and Playhouse venues.
Preparation and rehearsals for Singin' in the Rain will be in full swing throughout the placement, giving the trainee the chance to follow the production's journey from the rehearsal room to opening night on the Crucible stage.
Alongside these productions, there will be opportunities to observe the early stages of other shows' development and design processes, providing insight into the planning, collaboration and creative decision-making involved in bringing a production from initial concept to final realisation.
A strong understanding of all production disciplines is fundamental to effective Production Management. The Trainee will therefore work alongside colleagues across Production and Technical teams to develop knowledge of the processes, people and skills involved in creating and delivering theatre.
THE TRAINEESHIP OFFERS:
Application Deadline: Sunday 6 September at 6pm
Interviews: Week of 14 September
For more information and to apply, click the Opportunity Info link below!
This six-week course will focus on different ways of analysing theatre, and empowering participants to talk about their experience as an audience member. The course will enable you to think like a professional theatre maker, analyse like a reviewer, and gain the tools to be an expert of your own opinion.
This course will take participants behind the scenes to explore a theatre-maker’s toolkit. From design to direction, and acting to sound, we’ll unveil the ingredients used in creating a production.
KEY INFORMATION:
WHO IS THE COURSE FOR?
For anyone aged 18 and over interested in theatre; theatre goers and play lovers and anyone who wants to deepen their understanding of the craft involved behind making a performance. Whether you're a regular audience member, a budding critic, or simply passionate about the stage, this course will give you the tools to see theatre through a new lens.
WHAT CAN I EXPECT?
The course will involve lectures, watching clips of theatre, learning theory, and guided discussions.
You will explore different job roles within the theatre and will look at how each of these approach putting on a production. These include:
You will gain new skills in analysing and discussing what you see on stage, and a deeper knowledge of stagecraft.
For more information and to sign up, click the opportunity info link below!
Running throughout Black History Month and inspired by our production of Margaret Atwood’s The Penelopiad, this five-week writer development course led by playwright Misha Duncan-Barry invites adults aged 18+ of all writing abilities to explore the art of adaptation and discover how classic stories can be reimagined through new perspectives.
Using The Penelopiad as a starting point, we’ll explore how writers can reclaim, reshape, and re-centre stories by focusing on Black mythological, folkloric, and legendary figures from African and diasporic traditions. Through discussion, writing exercises, and feedback, participants will develop original dramatic work inspired by myths old and new.
The course begins on Saturday 10 October, when we’ll meet for our first session before attending the opening night performance of The Penelopiad together. Over the following weeks, we’ll investigate adaptation as a creative tool, exploring whose voices are heard, whose are forgotten, and how storytelling can challenge established narratives.
COURSE PREPARATION
As part of the course, participants will be asked to arrive at the first session with a Black mythological, folkloric, or legendary figure they would like to explore and develop throughout the programme. This could be a well-known figure or someone whose story has been overlooked, reinterpreted, or marginalised over time.
Examples might include:
Participants will be encouraged to consider what aspect of their chosen figure’s story they would like to adapt, reframe, or re-centre through their writing.
No previous playwriting experience is required—whether you’re completely new to writing for theatre or looking to develop your existing practice, you’ll be supported to generate and develop new work throughout the course.
For participants who are interested, there will be an opportunity at the end of the programme to share extracts of their work in an informal studio sharing with actors.
COURSE DATES & TIMES (please note booking your place gets you access to all sessions)
SUITABLE FOR
Places are limited to ensure all participants have dedicated time for discussion, feedback, and the development of their work throughout the programme.
COST OF COURSE: £75 including a ticket to The Penelopiad capacity 12. If cost is a barrier please contact artistdevelopment@yorktheatreroyal.co.uk to ask about our bursary places.
Are you passionate about Theatre, Chicken shops & the impact of gentrification? Want to work on a new pay, whilst learning from an award winning team? Then we want to hear from you!
LOWD productions supported by Arts Council England are conducting R&D (research and development) for Amin Ali's debut play Chicken Cottage. Directed by Adam Karim & Produced by Saher Shah.
This opportunity also includes a structured debrief & a career mentoring session with Director Adam Karim to be organised after the R&D at a mutually convenient time.
RESPONSIBILITIES OF THE ROLE:
This is not an exhaustive list, further details will be discussed at interview including any areas candidates are particularly interested in learning about that can be feasibly accommodated.
APPLICANT SKILLS & REQUIREMENTS:
KEY INFORMATION:
HOW TO APPLY:
Applicants must be 18yr+ and London based.
Due to the themes & characters explored in this play, we are particularly interested in hearing from those who are Black, Muslim, female or non-binary & have lived experience of gentrification.
For more information, please click the Opportunity Info link below!
Are you a writer that is not currently represented by an agent, based in the UK or Ireland and writes for the stage? Then we want to read your work!
Formerly titled Open Submissions, our open call window to submit your work this year is 12noon Wednesday 12 August 2026 until 12noon Wednesday 26 August 2026.
We are keen to discover and build relationships with writers across the UK and Ireland unknown to us at the moment. This submission process is an opportunity for us to find exciting new voices, learn more about who’s making work today and begin conversations and invest in the development of writers whose interests and ambitions feel aligned with our own.
We’re looking for original voices and ideas – writers asking the big questions of today inventively, urgently and theatrically. We want to read your work for future development and collaboration: at least one writer identified through this open call will be offered a place on our Bush Writers' Group 2026-27.
For more information and to submit, click the opportunity info link below!
A playwriting competition for Northern writers!
One winning script will be chosen for a five-night production by the People’s Theatre in May 2027 in their Studio Theatre, and the writer will receive a cash prize of £1,000.
The judges for the competition are looking for a new full-length play on any subject, for a cast of any age or gender. Don't worry about how old you are or much experience you have - the Award is open to everyone with a story to tell.
Past winners include Peter Straughan (BAFTA & Oscar-winner for ‘Tinker Tailor Soldier Spy’ & ‘Conclave’), Carina Rodney (Audible, BBC Radio 4, Live Theatre) and Alison Carr (National Theatre, Finalist: Women’s Prize for Playwriting, BBC Three).
SUBMISSION INFORMATION:
For more information, including submission guidelines, click the opportunity info link below!
This is a brilliant entry point into a creative arts career, especially if you want to know more about the general management of a charity-run company.
The Company Intern will act as a first point of contact for Punchdrunk Enrichment visitors, suppliers and couriers; arranging company-wide meetings, events, travel, and being involved in working groups. The Intern will also be involved with HR and recruitment, data management and general management of our venue.
Supported by Creative Access, this role is open to people who are from or currently live in Brent and are from under represented groups in the arts.
What we’re looking for:
- A keen interest in the arts.
- Good written and verbal communication skills, with attention to detail.
- Good level of numeracy.
- Positive, approachable, personable, can-do attitude with the ability to be flexible and adaptable.
- Manages time and workload effectively, willing to ask for help when needed.
⏳ Seven month contract, four days a week. London Living Wage.
📅 Applications close: Monday 31st August 2026 at 11:59pm
For more information and to apply, click the opportunity info link below!
Genesis Theatre Design Programme is a free training and mentoring course for Black and Global Majority applicants, who are from socially and economically challenging backgrounds, who want to pursue a career in theatre as a:
This is a free two-year part-time course which incorporates:
Each course runs for six terms of study, with a seventh term on placement. Classes are held on two or three evenings each week, with one full day every Saturday.
Weekday sessions take place mostly in our design studio and workshops at Mulberry UTC in the Heart of Bow, East London. Saturday sessions are held at the National Theatre on the Southbank.
For more information and to apply, click the opportunity info link below!
REWRITES is a partnership programme led by Lowry, Birmingham Hippodrome, Mayflower Southampton, Norwich Theatre and Capital Theatres Edinburgh.
REWRITES champions bold new musicals that are ready to connect with audiences across the country, recognising touring as a crucial stage in a show's development. By enabling productions to test, refine and strengthen their work in front of diverse audiences nationwide, REWRITES creates a clear pathway for ambitious new musicals, combining direct financial support with in-kind expertise from some of the UK's leading theatre organisations.
Initiated by Lowry in 2017, musicals featured in REWRITES include: Jeezus! By Sergio Antonio Maggiolo, Ballad Lines by Finn Anderson and Tania Azevedo, Half Man Half Bull by Wright & Grainger, Chosen by Taiya Yoshida & Dominic Varney, Nel’s Place by Sheep Soup, No Miracles Here by The Letter Room, A Super Happy Story (About Feeling Sad) by Jon Brittain and Matthew Floyd Jones (Kathy & Stella) and Snowflake by Lewis Cornay. The award-winning West End and Broadway musical Operation Mincemeat started out at a scratch event as part of REWRITES.
REWRITES platforms normally take place twice a year in Spring and Autumn. Our next opportunity is Autumn 2027. Dates TBC.
Submissions open on 20th July and closes on 18th December. Applicants will hear by the end of January.
For more information and to apply click the opportunity link below!
Masterclass is offering two paid, three-month internships for aspiring Theatre Technicians: one at the Adelphi Theatre and one at the Theatre Royal Haymarket. These are hands-on opportunities for those interested in electrics and/or carpentry to gain backstage experience in a professional theatre.
You’ll work full-time alongside experienced in-house electrical and carpentry teams, supported by Masterclass. During this placement, you’ll develop essential skills in lighting, rigging and carpentry, with the flexibility to focus on your interests.
Not sure what job this internship could lead to? Check out a full list of backstage careers here.
Key Information:
📅 Theatre Royal Haymarket Internship: 12 October 2026 – 10 January 2027
📅 Adelphi Internship: 14 October 2026 – 9 January 2027
🚀 Apply by: 9am, Tuesday 1 September
🎤 Interviews: Mid-September
💰 Salary: At least National Minimum Wage
📍Location: Based at the Adelphi Theatre, WC2R or Theatre Royal Haymarket, SW1Y
✍️ Contract Type: Fixed Term
Who can apply?
This internship is for those at the start of their career or looking for a first step into theatre. Prior theatre experience is not required, but candidates must have basic skills in carpentry or electrics, and a strong interest in theatre and live events.
Ideal candidates will:
Eligibility:
We particularly encourage applications from underrepresented groups, including those from the global majority, working-class backgrounds, or those facing barriers to progression in the theatre industry, though we regret that neither theatre has step-free access to the backstage area. Due to funding, preference will be given to candidates under 25 and residing in the following London boroughs: Barnet, Brent, Camden, City of London, Ealing, Hammersmith & Fulham, Harrow, Kensington & Chelsea and Westminster. We will, however, consider all candidates.
To check your borough, click here.
With thanks to LW Theatres and Theatre Royal Haymarket for making this opportunity possible. If you have any questions, please contact the Masterclass office by email: info@masterclass.org.uk.
