Guildford Opera Company is looking for a stage manager on the book to prompt lighting cues for our production of 'Lucia di Lamermor'. You would work with the stage director and lighting technician during production week to deliver lighting states for a live opera performance, and would be required to attend some rehearsals during November to familiarise yourself with the score and lighting cues.
The performance will take place in St Nicolas' Church, Bury Sreet, Guildford during w/b 30 November to 5 December. Technical and dress rehearsals will take place 1 December (evening) and 2 December (afternoon), and performances will be 3 - 5 December (curtain up 7 pm 3-4 December and 6pm 5 December).
Key Information:
For more information and to apply, click the Opportunity Info link below!
Join established stage and literary agent Alan Brodie, whose clients include the estates of writers including Bertolt Brecht, Noël Coward, Terence Rattigan, Patrick Hamilton and Thornton Wilder, to demystify the world of theatrical estates and rights.
Aimed at mid-career directors, this mid-career masterclass will explore how you might approach an estate, theatre or licensor, what makes an artistic proposal compelling, how decisions around rights are made and where the boundaries of artistic freedom lie. The session will discuss the relationship between protecting a writer's legacy and giving the next generation of artists the freedom to make classic work their own.
This session will culminate in a Q&A.
Essential Information:
For more information and to register your interest, click the Opportunity Info link below!
Mike Bartlett is a multi-award-winning writer for both stage and screen. In this two-hour masterclass, he will offer an insight into his writing process and share ways of approaching writing new plays for larger spaces and audiences, without compromising urgent conversations or the desire to tackle provoking themes.
This mid-career masterclass will culminate in a Q&A where Mike will answer questions.
This masterclass is best suited to mid-career playwrights who are confidently working at studio/mid-scale and looking to scale up.
Essential Information:
For more information and to register your interest, click the Opportunity Info link below!
Join Hannah Smith, Executive Producer at The Wardrobe Ensemble, to understand the practical steps to starting and running a theatre company.
This session will cover the practical steps of registering your company, statuary obligations (including yearly company accounts). It will also share Hannah's reflections on the opportunities (such as funding streams) and challenges that running a company may bring.
This mid-career masterclass aims to demystify the process of setting up and running a theatre company; supporting freelancers to make an informed decision about whether establishing a company is the right next step in their career. The session will culminate in a Q&A.
Essential Information:
For more information and to register your interest, click the Opportunity Info link below!
Discuss the opportunities and challenges of embedding sustainability into a design process.
Led by production manager and designer Jenn Taillefer, hear insights of how you can embed sustainability into the creative process when making design decisions and working with the demands of delivery.
This session will draw on sector-specific tools (such as Julie's Bicycle and Theatre Green Book) and offer both practical and personal reflections on the impact of the climate emergency when making work at mid to large scale.
This mid-career masterclass is aimed at mid-career designers and directors, including associates, who are moving from studio scale to working with larger organisations/partners.
Essential Information:
For more information and to register your interest, click the Opportunity Info link below!
Led by Dipo Baruwa-Etti, this three-hour masterclass will explore the process of playwriting from start to finish, with practical tips and insights which will help you to craft your identity as a writer. After exploring a playwright's toolkit, the second half of the session will allow you to put what you have learned into practice.
Attendees will be asked to bring an excerpt of their writing with them to work on with some input and guidance from Dipo. Aimed at early career theatre professionals who have some experience in playwriting. This could be from university, as a private practice in tandem with other creative work, or could be a career pivot. This is not suitable for writers who have written plays that have been staged or fully developed, or for those who have never tackled writing at all. You should have completed a first draft of a play, or a substantial proportion of a play.
This early-career masterclass will help you move beyond your first draft, covering theory and practice, equipping you with exercises and skills to unlock the next phase of your work.
Essential Information:
For more information and to register your interest, click the Opportunity Info link below!
Emma Rice Company Training Programme is offering a unique opportunity for theatre makers aged 18+. The theatre-maker taster is a free, day-long workshop.
In this practical workshop, members of our Tristan & Yseult show team will introduce participants to the Emma Rice Company method. You will play games, learn songs and devise. You will experience first-hand how Emma Rice Company builds an ensemble and creates their critically acclaimed shows.
Actors, singers, musicians, dancers, directors, acrobats, clowns, and theatre-makers are all invited to apply. You don’t need loads of experience, but you do need to be a confident performer.
Essential Information:
For more information and to apply, click the Opportunity Info link below!
Led by award-winning director and writer Tristan Fynn-Aiduenu (Deep Azure, For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy, Pig Heart Boy) and award-winning playwright and dramaturg Somebody Jones (winner of the Tony Craze Award, finalist for the Women’s Prize for Playwriting), this five-day playwriting intensive will help you kick-start and develop your next piece of theatre.
Using Tristan's own Tell Me A Tale Method — a practical framework for building story from the inside out — you'll develop a bold script set in the Speculative world (fantasy, sci-fi, horror), working across devising, structure, character, dramaturgy and world-building.
Expect hands-on exercises, elements of embodied practice (no performance experience necessary), and a safe, creative space to explore the fantastical and unlock your writing — including through physical work on your feet.
This intensive is for:
What to expect across the week:
What you'll come away with:
Essential information:
For more information and to book or apply for a bursary place, click the Opportunity Info link below!
After the announcement of its closure, Forest Forge has allocated remaining funds to support local artists and organisations with grants of between £500 – £5,000.
In 2026 Forest Forge Theatre Company announced its closure after 45 years of making and touring theatre in the New Forest. As the journey comes to an end, the team are eager to support artists and cultural community organisations in the New Forest via some small commissions. We hope that by providing small pots of funding we can support sustainability and can seed fund new ideas.
We have ringfenced some of our remaining funds to support local artists and organisations with grants of between £500 – £5,000. We anticipate making between 5 – 10 Forge Ahead Commission grants.
Projects should deliver activity within one of our three areas of activity:
We are also especially excited to support projects and ideas that complement the Forest Forge ethos; those that are playful, heartfelt, joyful and irreverent.
Funds can be used for any number of costs including artist fees, travel, room hire, materials, marketing, training and can be used as match funding.
We welcome applications from:
Projects must:
Key dates:
Grants are made at the discretion of the trustees and decisions are final. Successful applicants will be required to report back to a Forest Forge Trustee after the closure of the company.
For more information, click the Opportunity Info link below!
Join playwright and associate artist Carl Grose and Spymonkey founder and co-artistic director Toby Park as they attempt to crack open the mysterious, maddening and utterly marvelous process of how to go about writing a show for Spymonkey.
Who's it for:
Why we think it is important:
Spymonkey worked for many years as a devising company. We took a huge step forwards in our creative process when we began working with a writer, and as it happens the first writer we ever worked with was Carl, for Oedipussy. It was a revelation, and we couldn’t understand why we hadn’t done it sooner! The writer brings so much to our intensely collaborative process: provocations for improvisation exercises, hot-seating, taking on the task of dramaturgical structure, of character arc, sifting and compressing the hours of improvisation, creative meetings with designers and directors and ridiculous conversations over tea breaks. And of course for the actual nuts-and-bolts of script-writing. Since then we’ve worked with a load of writers, but we keep coming back to working with Carl because he is brilliant and he understands Clown and our Theatre of the Funny.
What will be explored:
Please note: There will be writing involved, but we also find it essential to explore writing practically and on its feet. All participants will be encourages to join in the work and support the development of others so writers come expecting to get up and play, and performers ready with their pen (or laptop).
Essential Information:
Calling all university students! Spymonkey are offering a 50% discount on this workshop with the promocode SPYMONKEY50 and Name of Uni.
For more information and to book, click the Opportunity Info link below!
