Mountview is currently the only UK drama school to offer Directing, Dramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries.
By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts.
Students on the Dramatic Writing pathway develop an in-depth knowledge of dramatic structures and the core competencies for writing across different forms and styles. The course develops an understanding and critical awareness of current practice through engagement with industry practitioners and academics. You will be mentored by award-winning playwright Roy Williams OBE (Death of England National Theatre, Sucker Punch Royal Court), who oversees aspects of the course as Distinguished Visiting Artist.
The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Producing, Directing and Performance students.
Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Playwrights, Screenwriters, Dramaturgs, Directors, Creative Leaders, Theatre Makers, Artistic Directors, Commercial and Independent Producers and Venue Leaders.
STAFF AND PRACTITIONERS
The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination).
In addition to working alongside the core teaching team, MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:
On our Musical Theatre MFA course, you will gain a broad range of musical theatre knowledge and skills while performing in a variety of outstanding productions.
Supported by first-class teaching, your learning will involve a working knowledge of historical, critical and theoretical content, and the creation of performances that will be presented to agents and professionals for maximum industry exposure. You will also have the opportunity to participate in a professional placement, giving you invaluable experience of the UK musical theatre industry.
A high percentage of GSA alumni appear in the cast lists of West End shows and national tours. Last year, over 95 per cent of GSA graduates gained professional representation or professional contracts within the first year of graduating.
This is a unique and renowned course designed specifically for those who are already practising as or who wish to establish themselves as professional theatre directors.
MA/MFA Theatre Directing is open to emerging theatre directors from the UK and to students from around the world. Teaching is by a wide range of leading directors and professional practitioners from the UK and overseas. The programme benefits from its close ties with the London theatre world, which provides training expertise of the highest calibre and the professional networks that are vital to launching a career.
East 15 also runs some modules overseas, most recently in Moscow and Bali, involving specialist practical study in an alternative cultural environment.
The MA runs for one year on a full-time basis and the MFA for 24 months. For the MA, you take four modules during three consecutive terms, followed by a three-month period of independent study, at the end of which you present your Director’s Production Workbook (or, alternatively, your MA Dissertation).
For the MFA, running over 24 months, you take eight modules during six consecutive terms, followed by independent study that results in a fully resourced practical project at one of East 15’s spaces or in a London theatre (or, alternatively, an MFA Dissertation).
Each year you have the opportunity to choose four modules out of the seven or eight different options that we offer every year. The menu of modules rotates on a regular basis but always covers a range of directorial practice that is unrivalled in its diversity and will include several of the following:Shakespeare, Contemporary British Drama, Comedy, Musical Theatre and Opera, Physical Theatre, Brecht, Techniques of Adaptation, Improvisation and Devising Techniques, Contemporary Irish Drama, Rehearsal Processes and Workshops, Collaboration with Designers, Attachment (Assistant Director), The Artistic Director, Commedia dell’Arte and Directing for Camera.
Overseas modules in Bali and Thailand include: World Theatre and Theatre of the East. In Moscow, at the GITIS Institute, modules include: Stanislavskian Acting Methodology, Meyerhold and Biomechanics, Michael Chekhov.
MA/MFA Theatre Directing is open to applicants with a background in theatre directing or related fields and is specifically tailored to those seeking professional development in this area. Study is full time but some module choices enable periods of time away to pursue professional theatre work.
Mountview is currently the only UK drama school to offer Directing, Dramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries.
By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts.
Students on the Directing pathway will develop professional-level directing technique through classes and seminars, as well as opportunities to work as an assistant director and to direct their own work.
The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Producing and Performance students.
Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Directors, Creative Leaders, Theatre Makers, Artistic Directors, Commercial and Independent Producers, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.
STAFF AND PRACTITIONERS
The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination).
In addition to working alongside the core teaching team, MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:
Emily Aboud Award-winning director, Tender and Lady Dealer (Bush Theatre)
Sean Holmes Associate Artistic Director of Shakespeare’s Globe; former Artistic Director of the Lyric Hammersmith
Denzel Westley-Sanderson Winner of the RTST Sir Peter Hall Directing Award
Ned Bennett The Curious Incident of the Dog in the Night-Time (Birmingham Rep)
Ola Ince Director of Tina: The Tina Turner Musical (International Associate Director, London/Hamburg/Broadway/Utrecht) and Appropriate (Donmar)
Lucy Morrison Director of Hope Has A Happy Meal and This Is Not Who I Am (Royal Court)
This Musical Direction course has a 1-year MA or 2-year MFA option, offering students a more in-depth training experience. The course is an intensive for skilled musicians with ambitions to work in music leadership roles within theatre and beyond.
We have a strong reputation in the industry for rigour and quality, and previous students on the course can be found working on a diverse range of musical theatre productions across the West End, UK and internationally. The course is suited to experienced pianists, accompanists and conductors who have worked with singers, actors and instrumentalists, or would like to develop their skills in this area.
Mountview has developed an internationally renowned reputation for its commitment to musical theatre. Our state-of-the-art facilities in South London and the network of industry professionals who contribute to the teaching provide the ideal springboard for a career in music direction.
COURSE CONTENT AND DELIVERY
Teaching and contact time vary at different times of the year and depending on assignments. Each student has a bespoke timetable typically receiving between 15 and 25 hours each week. These comprise of core components and cross-course classes combined with allocated roles on projects and productions.
Across the year students will attend classes and seminars with leading practitioners and industry specialists; receive individual tutorials; assist professional musical directors on in-house and public productions; and lead musically on selected projects.
Assessment is ongoing and based on work throughout the course, culminating in summative assessment points in the second and third terms.
Mountview is currently the only UK drama school to offer Directing, Dramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries.
By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts.
Students on the Producing pathway develop a robust and practical understanding of producing, across both the commercial and not-for-profit sectors. You will expand your understanding and critical awareness of current practices through extensive engagement with leading industry practitioners and academics.
The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Directing and Performance students.
Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Commercial and Independent Producers, Creative Leaders, Theatre Makers, Artistic Directors, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.
STAFF AND PRACTITIONERS
The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination).
Recent guest tutors on the Producing pathway have included Alison King (Turtle Key Arts), Daniel Cooper (The Yard), Joseph Smith (Stage One), Will Bridgeland (Candoco Dance Company), Katie Town (Theatre Royal Wakefield), Jo Crowley (Aakash Odedra Company), India Crawford (Arts Council), Belinda Clark (Brixton House), Ed McGovern (Crossroads Live), Davy Berryman (The Lost Estate) and David Ralf (Theatre Deli).
MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:
If you want to work as an actor and maker in the creative sector, our MFA acting programme offers an outstanding training. It will position you as an accomplished artist, with the ability to forge your own unique path in the industry.
In the two years you’ll be working mainly in small-group classes and will receive frequent, personalised feedback and support to advance your skill-set and accelerate your career.
You’ll develop an informed, open, yet questioning, approach to the craft of acting. This will set you up with the skills and confidence to become an independent minded practitioner with considerable professional versatility and creativity.
This masters degree in acting provides rigorous, world-class conservatoire training combined with industry-level postgraduate project work. The course is open to those from any background, but especially for those who want to shake up the ecosystem of the creative skills industry, and use their abilities to challenge the status quo and shape new landscapes for dramatic art.
This two-year Master of Fine Arts in Acting is rooted in practice and designed with international graduates in mind. Studying here will help you develop a deeper understanding of the processes of acting through an exploration of play texts from the British and European traditions, providing you with a progression route to an acting career or to further study at MPhil or PhD level....
This conservatoire-level actor training has a research focus which enables graduates to develop high-level, innovative approaches to practice. The programme cultivates originality of thinking and self-direction in order to tackle technical, interpretive and scholarly problems within the field of acting and performance.
As an active participant in the MA or MFA Advanced Theatre Practice, you will:
Participate in workshops with leading professionals;
Learn to research and extend your own practice;
Launch a company, make new work, and take this to an audience beyond Central;
Extend the roles of performer, director, writer, designer, dramaturg, puppeteer, musician, artist, or creative thinker in new and unexpected ways;
Build on the tradition of theatre-making as a communicative medium of exchange, i.e. through working with digital media.
If an MFA student, you will have excellent opportunities to work for an extended period with a number of distinguished external companies.
This course does not train actors, but develops a practical understanding of what it is to act, enabling graduates to work as actor trainers and coaches, drama and theatre practitioners, and directors of actors. Students are introduced to the principles and practices behind the training, education and support of actors and performers developing their practice.
Teaching methods include tutorials, group seminars and workshops. Practical sessions are designed to enhance understanding of acting processes and skills in pedagogy, together with associated study of contemporary issues of performance including theatre, film and television.
