Masterclass and Shakespeare's Globe are offering a paid Theatre Assistant Internship for someone aiming to gain experience with a view to working in theatre producing or general management.
The Theatre Assistant Intern will shadow and work closely with members of the Theatre Department, to provide general administrative and practical support to the Department and carry out tasks specific to the productions running in the venue or in development.
Not sure what job this internship could lead to? Check out a full list of backstage careers here.
Key Information:
📅 Internship: August 2026 – August 2027
🚀 Apply by: end of day, Sunday 21 June
🎤 Interviews: Late July
💰 Salary: Paid at London Living Wage
📍Location: Based at Shakespeare's Globe, London SE1
✍️ Contract Type: Fixed Term, part-time - 26 hours a week, to be worked across 4 days
Responsibilities may include, but are not limited to:
To check your borough, click here.
With thanks to Shakespeare's Globe for making this opportunity possible.
As this opportunity is delivered in partnership with Get Into Theatre, we want to be transparent that we are promoting our own programme, while also being confident in the quality, support and industry value it offers to the young people or early-career creatives taking part.
The Stage One Producer Placements offer aspiring producers the opportunity to work within an established production company or producing theatre. They are employed by the organisation for 12 months, learning the producer role through hands on training.
The producing trainee will play a key role within the busy producing department at the Royal Court, supporting all aspects of production. Co-line managed by the producers, they will work alongside and in support of the producing assistant, to provide value adding support on the delivery of productions, as well as the work of our New Writing and Participation Producer and Casting Associate.
Whilst you will work full time within the offices of the Royal Court, you will have consistent communication with Stage One, its staff network, as well as access to many additional Stage One training opportunities.
SCRUM Theatre
Turtle Key Arts is offering a paid 18-month Producer Mentorship Scheme for an early-career individual.
The scheme provides hands-on experience across the organisation’s work, supporting the development of producing skills in theatre and community arts.
The selected participant will learn how to:
The scheme aims to increase access to producing opportunities, particularly for individuals from low socio-economic backgrounds, where such roles are often limited.
Participants will gain practical, paid experience across all areas of Turtle Key Arts’ programme, including touring, outreach, fundraising, marketing and production delivery.
Deadline: Monday 15 June 2026 at 5pm.
Want to have a go at Directing? We have an opportunity for you!
We're looking for directors to participate at our first Scratch Night, this July 13th at The Bread and Roses theatre (@breadandrosestheatre)
Each piece will be between 10 & 15 minutes, with 4 or fewer performers. Scripts will be performed Script-in-hand, with one online rehearsal, and one in-person rehearsal on the day. You must be available from midday on the 13th July to participate. We want to hear from anyone, regardless of experience, but especially those who are first-time and early career writers!
This is a profit-share opportunity at this stage. We are looking at alternative ways to fund these events in the future.
MOUVE by Dancing with Louise
A free, four-day intensive theatre-making experience designed for actors, writers, and directors who are ready to push their creative boundaries.
Over four days you'll build a brand new piece of theatre, take part in workshops hosted by external practitioners, and develop your personal toolkit.
Guided by Burnt Orange Theatre's core team, you'll be placed into small interdisciplinary teams including a writer, director and up to 5 actors, taking ownership of the creative process. You will explore different styles and techniques, generate material and refine your work through rehearsal, development and collaboration.
This is a fast-paced, high-energy experience, offering professional development, creative risk-taking, and an exciting opportunity to meet and collaborate with like-minded artists. They operate a deposit system, where participants are asked to pay a small deposit to secure their space. This is refunded on completion of the course. However if this cost would be a barrier, please let them know and they will waive the fee no questions asked.
Participants must be aged between 16-23, and must be able to commit to the full 4 days of the course, taking place from 26 - 29 May from 10am - 4pm at the Bush Theatre
Secure your place here: https://www.ticketsource.com/burntorangetheatre/t-qmmrmoo
Would you like to see your writing performed by professional actors? Are you interested in learning more about writing for stage?
Wac Arts is thrilled to continue their intergenerational series with a free creative writing project exploring how theatre and storytelling can promote positive conversations and relationships across the community.
They are looking for young people aged 16 – 24 with an interest in creative writing and theatre to take part in a series of weekly workshops with members of the University of the Third Age at Wac Arts. Under the guidance of playwright Beth Flintoff, Associate Playwright at The Royal Court, the group will explore key aspects of writing for theatre, receive 1:1 script development support and create a series of pieces that will be performed by professional actors.
Dates: 1 June - 13 July, 16.30pm - 18.30pm
Final Sharing Date: 19 July, 13.00pm - 17.00pm
Location: Wac Arts, 213 Haverstock Hill, London NW3 4QP
"We believe everyone deserves a seat at the theatre..."
Jamie Wilson Productions and Nederlander are proud to introdcue the Pay What You Can ticket scheme for The Devil Wears Prada The Musical, now playing at the Dominion Theatre, London.
They know theatre isn't always affordable. With their Pay What You Can scheme, you set the price, making the magic of theatre accessible to more people.
How To Apply:
There are up to 10 PWYC tickets available per performance, and individuals or small groups can request tickets. If groups are looking to attend in larger numbers, they can either split across multiple dates or get in touch with Georgia at Jamie Wilson Productions first to explore options with the box office.
For years, the idea of “making it” in theatre has followed a familiar script: go to university or attend drama school, earn a degree and then maybe you’ll land a job.
But that’s only one version of the story.
The truth is, theatre has never had a single entry route. Many people build careers through practical experience, training on the job, and creating their own opportunities, and crucially, this doesn’t just happen in London.
Apprenticeships are one of the most accessible and structured ways to begin a career in theatre. They combine paid work with hands-on training, allowing you to learn directly from industry professionals.
Major organisations like the National Theatre, the Royal Ballet and Opera, and the Royal Shakespeare Company offer established apprenticeship schemes in areas such as technical theatre, stage management, and costume.
Outside of London, opportunities are just as valuable. Theatr Clwyd and Leeds Playhouse, for example, run programmes that focus on developing local talent and opening doors into the industry.
Apprenticeships offer:
Paid internships in theatre do exist, but they can be harder to find and are often highly competitive. They’re usually offered through specific programmes rather than widely advertised roles.
Masterclass, the Birmingham Hippodrome and Creative Access, for instance, partner with producers and theatres to provide internships that give insight into how the industry operates behind the scenes.
While not as accessible as apprenticeships, internships can still:
Not everyone wants, or needs, to commit to full-time training. Short courses offer a flexible way to develop your skills, whether that’s acting, directing, writing, or technical theatre.
Institutions like the Royal Academy of Dramatic Art, Bristol Old Vic Theatre School, and the Guildhall School of Music and Drama offer part-time courses, but similar opportunities can often be found at regional theatres and arts centres across the UK.
These courses allow you to:
It’s easy to think of theatre as London-centric, but the UK has a rich network of regional venues creating high-quality work and supporting emerging talent.
Organisations like the Bristol Old Vic, Royal Exchange Theatre, Northern Stage, Birmingham Hippodrome, and the National Theatre of Scotland all offer development programmes, workshops, and early-career opportunities.
Starting outside London can often mean:
One of the most powerful ways into theatre is to stop waiting for permission.
Write a play. Organise a scratch night. Collaborate with other creatives. Platforms like the Edinburgh Festival Fringe have launched countless careers built on self-created work.
Creating your own opportunities shows initiative and gives you something tangible to build on.
There’s no single way into theatre, and that’s what makes it such an exciting industry to be part of. Whether you choose an apprenticeship, apply for internships, take short courses, or start creating your own work, each path offers something different.
What matters is finding the route that works for you, your circumstances, your interests, and the way you learn best. Theatre needs a range of voices and experiences, and there’s space for more than one way in.
There isn't one fixed pathway. Find the route that suits you, and start there.
