Mountview is currently the only UK drama school to offer DirectingDramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries. 

By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts. 

Students on the Directing pathway will develop professional-level directing technique through classes and seminars, as well as opportunities to work as an assistant director and to direct their own work.  

The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Producing and Performance students. 

Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Directors, Creative Leaders, Theatre Makers, Artistic Directors, Commercial and Independent Producers, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.

STAFF AND PRACTITIONERS

The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination). 

In addition to working alongside the core teaching team, MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:   

Emily Aboud Award-winning director, Tender and Lady Dealer (Bush Theatre) 

Sean Holmes Associate Artistic Director of Shakespeare’s Globe; former Artistic Director of the Lyric Hammersmith

Denzel Westley-Sanderson Winner of the RTST Sir Peter Hall Directing Award 

Ned Bennett The Curious Incident of the Dog in the Night-Time (Birmingham Rep) 

Ola Ince Director of Tina: The Tina Turner Musical (International Associate Director, London/Hamburg/Broadway/Utrecht) and Appropriate (Donmar)

Lucy Morrison Director of Hope Has A Happy Meal and This Is Not Who I Am (Royal Court) 

This Musical Direction course has a 1-year MA or 2-year MFA option, offering students a more in-depth training experience. The course is an intensive for skilled musicians with ambitions to work in music leadership roles within theatre and beyond.

We have a strong reputation in the industry for rigour and quality, and previous students on the course can be found working on a diverse range of musical theatre productions across the West End, UK and internationally. The course is suited to experienced pianists, accompanists and conductors who have worked with singers, actors and instrumentalists, or would like to develop their skills in this area.

Mountview has developed an internationally renowned reputation for its commitment to musical theatre. Our state-of-the-art facilities in South London and the network of industry professionals who contribute to the teaching provide the ideal springboard for a career in music direction.

COURSE CONTENT AND DELIVERY

Teaching and contact time vary at different times of the year and depending on assignments. Each student has a bespoke timetable typically receiving between 15 and 25 hours each week. These comprise of core components and cross-course classes combined with allocated roles on projects and productions.

Across the year students will attend classes and seminars with leading practitioners and industry specialists; receive individual tutorials; assist professional musical directors on in-house and public productions; and lead musically on selected projects.

Assessment is ongoing and based on work throughout the course, culminating in summative assessment points in the second and third terms.

Mountview is currently the only UK drama school to offer DirectingDramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries. 

By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts. 

Students on the Producing pathway develop a robust and practical understanding of producing, across both the commercial and not-for-profit sectors. You will expand your understanding and critical awareness of current practices through extensive engagement with leading industry practitioners and academics.  

The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Directing and Performance students. 

Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Commercial and Independent Producers, Creative Leaders, Theatre Makers, Artistic Directors, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.  

STAFF AND PRACTITIONERS

The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination). 

Recent guest tutors on the Producing pathway have included Alison King (Turtle Key Arts), Daniel Cooper (The Yard), Joseph Smith (Stage One), Will Bridgeland (Candoco Dance Company), Katie Town (Theatre Royal Wakefield), Jo Crowley (Aakash Odedra Company), India Crawford (Arts Council), Belinda Clark (Brixton House), Ed McGovern (Crossroads Live), Davy Berryman (The Lost Estate) and David Ralf (Theatre Deli).

MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:   

For over 25 years Mountview has been internationally renowned for the quality of its musical theatre tuition and our alumni continue to influence and shape the industry.

Our intensive 1-year MA programme delivers focused, culturally engaged, practical performer training. The course enables graduates to confidently enter the industry, fully prepared with the skillset to assuredly navigate the demands of any performance space.

COURSE CONTENT AND DELIVERY

Students receive over 30 hours of direct teaching time each week, with a maximum of 17 students per class.

Over the first two terms you will undertake skills training split equally between the three essential musical theatre skills – acting, singing and dance – including one-to-one singing lessons and classes in acting for camera in term two. In each term, the skills work is then applied to performance projects. These projects include work on non-musical contemporary texts, and classic and contemporary book musicals.

There will be additional lectures and seminars on devising, autobiographical and solo performance, as well as on concepts such as intersectional feminist, post dramatic, queer and critical race theories, socio/political theatre practices and the performance of knowledge.

Through the first and second term, all students undertake the Creative Project, creating an original piece of theatre or film, performed at the end of term two. The Creative Project is supported and developed by one-to-one tutorials and influenced by the concepts discussed in the seminar/lecture programme.

This two-year course is equivalent to 3 A Levels and is designed to help you extend your understanding of the performing arts, develop your performing skills and learn new ones in our purpose-built performance spaces. It combines practical assignments and the study of variety of performance arts disciplines. You will work on production projects and be involved from backstage to front-of-house.

This is a practical course in the performing arts for 16-18 year olds. You will devise and perform in plays and learn dance, singing and mask making. You will get involved in productions and see professional musicals and stage shows. You may also take part in workshops with performing arts professionals.

You will choose some specialist units in either dance or acting and complete a final major project. The course is equivalent to 4 GCSEs at grades A*-C and provides a good basis to go on to further qualifications and progress to a career in the performing arts.

Acting pathway - course units include:

• Acting technique
• Vocal skills
• National Theatre Connections tour
• Drama improvisation
• Musical theatre
• Singing
• Physical theatre
• Classical theatre
• Contemporary theatre
• Movement skills
• Stage combat
• Radio techniques.

Dance pathway - course units include:
• Ballet technique
• Contemporary dance
• Urban
• Jazz
• Dance improvisation and choreography
• Group and individual repertoire
• Musical theatre
• Acting technique
• Vocal skills.

If you love dance and the performing arts, this course is for you. You will develop skills as a performer and will gain the qualifications necessary to enter higher education or work in the industry.

• Acting techniques
• Movement skills
• Musical theatre
• Devising projects
• Singing
• Dance
• Production arts skills
• Performance workshops all designed to help improve your skills, confidence and performance ability.

This one year course is for anyone with and an interest in learning more about the Performing Arts. Whilst experience is useful, we welcome anyone with an enthusiasm and passion for the subject area.

The Gap Year Diploma is a one year, part-time course designed to develop your acting skills.

The course is aimed at those aged 18 - 25 who are interested in preparing to apply for an acting course at higher education level.

Course Content:
- Develop career skills, audition techniques and acting skills
- Perform extracts from plays in a studio-based performance
- Take specific classes in movement, voice and text. This work will be underpinned and linked with audition technique for those wanting to apply to an undergraduate course
- Career development sessions offering guidance through the Higher Education/drama school process, and on prospective careers in the performing arts
- In the final term, rehearse and perform a performance showcase. Although we do not invite agents to this, all students on this course will be seen by an undergraduate course tutor and will be offered guidance on applying to higher education courses

This degree encourages you to work with music and sound in exciting new ways. You will develop an impressive portfolio of technical and creative skills to prepare you for music-related careers. These include music production, audio engineering, sound and interaction design, music composition for film and TV, and sound art.

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