Brick Moon
Join one of RADA’s upcoming Open Days for an inside look at our Foundation Degree in Technical Theatre and Stage Management.
You’ll have the opportunity to meet our students and staff, explore our training spaces, visit technical departments, and find out more about life at RADA including funding, student support, and career pathways.
Open Days 2025-2026:
At RADA, we enable exceptional technicians, managers, designers and makers to thrive through world-leading, industry-focused training that blends hands-on experience with professional practice.
Whether you’re exploring lighting, sound, props, scenic art, or stage management, our open days are the perfect chance to discover how RADA can help you become a highly skilled and creative theatre-maker.
12 weeks of workshops covering basic acting techniques, scene study, auditioning/ self-taping, career development and more, taught by working industry professionals!
This is an online acting course for beginner/intermediate level actors.
The actors in the course will have the opportunity to learn from working and professional actors, agents, directors and casting directors from London and Hollywood. The curriculum is designed to provide a comprehensive overview of the industry, including acting techniques/casting sessions, scene study, auditioning and self-taping, voice work (covering accents and voice techniques) and career development. The course is suitable for international students as it will be conducted online via Zoom.
At the end of the course, students will have gained a solid foundation in acting techniques, an understanding of the industry, and the skills and confidence needed to pursue a career in acting. Additionally, students will finish the course with an online showcase to industry guests – directors/agents/casting Directors and producers including agency RS talent and film producer Alex Fidelski.
Students will receive access to our online Actors Gym Membership, where they can practice their craft in between classes online (at home) develop their self-tape technique and complete the self-tape course and then upload practice self-tapes, and network with other actors and industry professionals.
The Black Artists Grant (BAG) offered by Creative Debuts as a no-strings attached financial support to help Black artists. They can spend the grant on whatever they want – be that make new work, buy equipment or materials, travel, research, visit exhibitions or conferences, or to even just cover some life expenses.
This grant has been set up because Black artists are systematically under-supported by the art world; by institutions, curators, the artist-led scene, major and minor funding bodies, the market, art schools, and by audiences too.
Creative Debuts recognises that a full institutional overhaul and dismantling of racist structures is required to transform the industry permanently, but they hope in a small way that this grant will help enable recipients to continue their artistic practice when the odds are so stacked against them
There is no deadline as this is a monthly rolling grant, no age limit, and the grant does not expect any outcomes or reporting. Please only apply once, if you apply in February for example, you are still eligible for selection in a different month, all applications are kept and reviewed.
‘Creative Wellbeing’ – the title seems self-explanatory, but when does it get taught? Talked about? Not only will this workshop examine ways in which we can nurture our stress as artists, but will also look at how to identify and advocate for your boundaries - both in process and practice. What comes after you’ve said “no”? How does creative risk continue? You will be practically exploring exactly that. Other topics may include neurodiversity, burnout and supporting others. Creative Wellbeing aims to give young people aged 14-21 the language and confidence to create theatre healthily, honestly and unbound.
Submissions are now OPEN for the second year of the Bill Cashmore Award: One Act Play Prize
The Bill Cashmore Award, presented by Young Lyric, offers a paid opportunity for two new one-act plays by writers aged 18-30, to be professionally produced at the Lyric Hammersmith Theatre. The two winning plays will run as a double bill and will be performed by the Lyric’s Springboard trainee actors in Autumn 2026.
The two successful writers will:
We particularly welcome submissions from those who are underrepresented in theatre and/or situated in areas culturally underserved. Please see our FAQs for more details.
Financing your studies may seem daunting at first, but help is at hand. Bristol Old Vic Theatre School will provide all the support you need to take control of your finances.
For fees purposes, Bristol Old Vic Theatre School classifies students as UK or International. Your residency classification determines the amount you pay in tuition fees as well as the financial support available to help towards tuition fee costs and living expenses.
This programme aims to provide the vital support necessary for students to overcome the financial barriers they face to access and complete our training, allowing students to focus fully on their course without the burden of financial strain.
We currently provide scholarship support to 28% of students across our student cohorts. Applicants will be contacted about scholarships when they receive an offer to train at LAMDA, however some scholarships can be applied for externally.
All scholarship applicants must possess the means to fund their training costs at LAMDA before applying for scholarship support. This includes applying for applicable undergraduate or postgraduate loans in the UK, US or home countries.
There is always a greater need for scholarships than what we can currently provide, and we are working to increase the number of scholarships available to ensure that finance is not a barrier to students from under-represented groups who wish to access LAMDA’s training.
LAMDA’s scholarships usually range between £3,000 - £15,000 and are funded through grants from trusts and foundations, companies and individual donors and are reviewed on an annual basis.
We believe that talent and potential should be the only requirements for entry, and that a person’s circumstances should never prevent them from embarking on a successful career in theatre. Every year, Mountview awards a range of scholarships and bursaries to support students with the costs of study.
Scholarships are awarded on the basis of talent, potential and financial need and designed to ensure that cost is not a barrier to study. Mountview’s scholarships are generously provided by a variety of supporters including the Leverhulme Trust, The Andrew Lloyd Webber Foundation, Elaine Paige OBE, Crossroads Live Ltd, The Champniss Foundation, The Christina Smith Foundation, Jamie Lonsdale and many more.
