A free, four-day intensive theatre-making experience designed for actors, writers, and directors who are ready to push their creative boundaries.
Over four days you'll build a brand new piece of theatre, take part in workshops hosted by external practitioners, and develop your personal toolkit.
Guided by Burnt Orange Theatre's core team, you'll be placed into small interdisciplinary teams including a writer, director and up to 5 actors, taking ownership of the creative process. You will explore different styles and techniques, generate material and refine your work through rehearsal, development and collaboration.
This is a fast-paced, high-energy experience, offering professional development, creative risk-taking, and an exciting opportunity to meet and collaborate with like-minded artists. They operate a deposit system, where participants are asked to pay a small deposit to secure their space. This is refunded on completion of the course. However if this cost would be a barrier, please let them know and they will waive the fee no questions asked.
Participants must be aged between 16-23, and must be able to commit to the full 4 days of the course, taking place from 26 - 29 May from 10am - 4pm at the Bush Theatre
Secure your place here: https://www.ticketsource.com/burntorangetheatre/t-qmmrmoo
"We believe everyone deserves a seat at the theatre..."
Jamie Wilson Productions and Nederlander are proud to introdcue the Pay What You Can ticket scheme for The Devil Wears Prada The Musical, now playing at the Dominion Theatre, London.
They know theatre isn't always affordable. With their Pay What You Can scheme, you set the price, making the magic of theatre accessible to more people.
How To Apply:
There are up to 10 PWYC tickets available per performance, and individuals or small groups can request tickets. If groups are looking to attend in larger numbers, they can either split across multiple dates or get in touch with Georgia at Jamie Wilson Productions first to explore options with the box office.
For years, the idea of “making it” in theatre has followed a familiar script: go to university or attend drama school, earn a degree and then maybe you’ll land a job.
But that’s only one version of the story.
The truth is, theatre has never had a single entry route. Many people build careers through practical experience, training on the job, and creating their own opportunities, and crucially, this doesn’t just happen in London.
Apprenticeships are one of the most accessible and structured ways to begin a career in theatre. They combine paid work with hands-on training, allowing you to learn directly from industry professionals.
Major organisations like the National Theatre, the Royal Ballet and Opera, and the Royal Shakespeare Company offer established apprenticeship schemes in areas such as technical theatre, stage management, and costume.
Outside of London, opportunities are just as valuable. Theatr Clwyd and Leeds Playhouse, for example, run programmes that focus on developing local talent and opening doors into the industry.
Apprenticeships offer:
Paid internships in theatre do exist, but they can be harder to find and are often highly competitive. They’re usually offered through specific programmes rather than widely advertised roles.
Masterclass, the Birmingham Hippodrome and Creative Access, for instance, partner with producers and theatres to provide internships that give insight into how the industry operates behind the scenes.
While not as accessible as apprenticeships, internships can still:
Not everyone wants, or needs, to commit to full-time training. Short courses offer a flexible way to develop your skills, whether that’s acting, directing, writing, or technical theatre.
Institutions like the Royal Academy of Dramatic Art, Bristol Old Vic Theatre School, and the Guildhall School of Music and Drama offer part-time courses, but similar opportunities can often be found at regional theatres and arts centres across the UK.
These courses allow you to:
It’s easy to think of theatre as London-centric, but the UK has a rich network of regional venues creating high-quality work and supporting emerging talent.
Organisations like the Bristol Old Vic, Royal Exchange Theatre, Northern Stage, Birmingham Hippodrome, and the National Theatre of Scotland all offer development programmes, workshops, and early-career opportunities.
Starting outside London can often mean:
One of the most powerful ways into theatre is to stop waiting for permission.
Write a play. Organise a scratch night. Collaborate with other creatives. Platforms like the Edinburgh Festival Fringe have launched countless careers built on self-created work.
Creating your own opportunities shows initiative and gives you something tangible to build on.
There’s no single way into theatre, and that’s what makes it such an exciting industry to be part of. Whether you choose an apprenticeship, apply for internships, take short courses, or start creating your own work, each path offers something different.
What matters is finding the route that works for you, your circumstances, your interests, and the way you learn best. Theatre needs a range of voices and experiences, and there’s space for more than one way in.
There isn't one fixed pathway. Find the route that suits you, and start there.
Drama and Creative Writing work together to craft powerful stories, invent new forms of expression, and engage audiences and readers in fresh ways of thinking. Whether on the page, stage or screen, these disciplines help us explore what it means to be human.
The Drama and Creative Writing degree at UEA gives you the chance to study in two outstanding departments, including the longest-established and most prestigious Creative Writing department in the UK. You’ll be taught by experienced artists, writers, and researchers who will support you in developing both your creative voice and your performance skills. By combining your passions for text and performance, you’ll gain a deeper understanding of how they inform and inspire one another.
You’ll explore both disciplines, studying acting, innovative playwrights, writing, and theatre practices from around the world. You’ll learn the art of writing, including for stage and screen, the craft of theatre-making, and how critical thinking leads to rigorous and powerful work. You’ll have the opportunity to study all kinds of creative writing, with a particular focus on writing for theatre, cinema, television, and radio. Alongside this, you'll be exploring the contemporary practice, criticism, and history of dramatic writing and performance. Your writing will be enriched by an awareness of theatrical and literary traditions from around the globe.
You’ll work in their professional Drama Studio, benefiting from their highly regarded student-run Minotaur Theatre Company and gaining even more performance, technical, and scriptwriting experience. Studying in Norwich means you’ll have access to a rich arts scene, including Norwich Theatre, Norwich Arts Centre, UEA Live, and the National Centre for Writing.
Your degree could take you into a career in the creative industries, as a writer or working in theatre, film, and radio. Or you might choose to take your collaborative, creative and critical skills into a host of other professions or into business.
This Masters gives you a practical and theoretical engagement with the many forms of writing and production for theatre. Blending practice, theory and history, the programme is designed for those wishing to develop playwriting skills and knowledge of script development and support, opening the way to many theatre roles, including dramaturgy. You will learn about the changing roles of the playwright and dramaturge in contemporary theatre in the UK and elsewhere around the world, and be supported to define your own creative practice while developing valuable transferable skills in research, project management and critical reflection.
WHY THIS PROGRAMME
In this course, you will develop your skills in writing for radio, theatre and screen with an emphasis on your individual voice and style.
You will graduate with a portfolio of pieces and an understanding of how to approach theatres and film and TV production companies and work towards securing commissions as a professional playwright or screenwriter.
The MLitt will provide you with technically-oriented tuition by leading contemporary and award-winning playwrights, with an emphasis on best practice in recent and contemporary writing.
At RADA, you learn by doing. You will engage in creatively rigorous and fulfilling vocational training that immerses you in the world of the professional playwright, ensuring you're artistically and practically equipped for the industry. Through continuous reflective practice you will workshop your writing, gain feedback and develop your creative work.
Teaching will be delivered by seminar (lecture and discussion), masterclasses, one-to-one tutorials, group tutorials and writing workshops.
Throughout your training, you will receive personalised feedback and career guidance to develop your expertise, resilience and leadership. The course will also include theatre trips, and prioritise an understanding of access, diversity, and inclusion.
This MA programme will enhance your creative and collaborative abilities while developing your playwriting craft. You will establish your identity as a creative practitioner with the skills and confidence to take an original idea from conception to production.
You will consider the role of new technologies, including artificial intelligence, and the impact they may have on the writing process and creative practice and industries.
Through this course you will write two plays; a one act play for a showcase reading, and the first draft of a full-length play for submission to professional production companies.
This new Master’s degree is designed to provide practical experience in directing and creating work for the theatre. Collaboration is at the heart of the programme to effectively replicate industry.
You will have the opportunity to work with students from other courses including acting, film, television and theatre production, set design, visual effects and costume – to deliver projects from start to finish.
Under guidance from experienced writers, directors and actors, you will explore and manage the entire directing process. From planning and prep work, through the rehearsal process to the final performance.
Working within the School’s Acting department you will have access to dedicated rehearsal rooms, our theatre and, where required, film & television studios.
The focus of this Master’s degree is the development of your directorial skill-set and style – whether that be in creating new work or in exciting and innovative interpretations of existing plays.
You will work on a wide range of approaches to directing, ranging from how to work with text to creating work through multi-media in performance. There are opportunities to look at ways of creating your own work with an ensemble and gain knowledge of funding applications so you are ready to set up your own company after graduation.
By the end of this intensive year-long programme, you have completed at least three contrasting and challenging projects. There will be opportunities to shadow directors and work as an assistant director on a range of projects to help inform your own practice.
This course, which is the first of its kind in the UK, provides individually tailored tuition that elevates your skills in readiness for a professional role as an opera director.
Mentored by tutors who are professionals drawn from across industry, you’ll examine the key elements that will contribute to your artistic and creative development – including acting methodologies, rehearsal techniques, principal singing languages and movement.
You’ll also explore different operatic forms, styles and conventions. Investigating artistic relationships – such as the design process and the conductor’s role – forms part of your tuition too.
Practical directing experience in a collaborative setting is fundamental to your training. You’ll work across various creative disciplines involved in producing opera, immersing yourself in the many performances and projects that take place here at the College – with opportunities to direct in-house opera scenes as well.
You’ll observe professional opera directors at work – both at the College and at the Welsh National Opera – to gain a better understanding of the industry in practice and build your network of contacts.
Your course culminates with a fully negotiated industry placement in a professional UK opera company, focusing on the role of staff director and associated areas of expertise.
With school holidays offering many young people the opportunity to take part in creative activities, it’s often a time when interests grow, and future ambitions begin to take shape.
Whether a young person is already engaged in the arts or just starting to explore, there are many different pathways into a career in the creative industries. However, for many families, these routes can feel unclear or uncertain.
Recent research from Netflix and the National Youth Theatre found that 89% of parents from working-class backgrounds would be unlikely to encourage their child to pursue a career in the creative industries. Building understanding and confidence among parents and carers is an important step in helping more young people feel supported in exploring these opportunities.
Parents Unscripted is a new series from Discover! Creative Careers, created in collaboration with organisations across the creative industries. The series shares the perspectives of parents whose children now work in the sector, offering honest reflections on their journeys.
We’re proud to have collaborated on one of the films in the series, developed alongside Discover! Creative Careers and the National Theatre. In this film, Angela Jumbo, mother of actor and playwright Cush Jumbo, reflects on her child’s journey into the industry and shares her perspective as a parent.
You can watch the other films in the series here!
We know that when parents and carers feel more confident about creative careers, it can make a real difference to a young person’s ability to pursue them.
By sharing these stories, Parents Unscripted aims to open up conversations, challenge misconceptions, and highlight the many routes available across the creative industries.
We encourage teachers, industry professionals and partners to share these films with their networks, whether through newsletters, social media, or conversations with young people and their families.
Helping more families understand the opportunities available in the creative industries is a vital step in supporting the next generation of talent.
Find out more about Discover! Creative Careers here.
Find out more about the National Theatre Skills Centre here.
