Do you have a passion or idea and want to start your own business? Gain the confidence, knowledge, skills, and techniques to start your own business and become self-employed!
Our self employment programme has been developed specifically to cater to the needs of young people with disabilities and autism.
We can arrange individual or small group sessions in any of the following areas:
We can support you to develop bespoke self-employment advice that matches your skillset passions and talent!
Contact Caroline for more information:
For more information and to refer yourself, click the Opportunity Info link below!
Are you passionate about theatre and curious about what it takes to work in the industry? Join Edinburgh Playhouse for an exciting week-long programme designed for young people aged 14–18 who want to explore the many career opportunities available both on and off the stage.
Learn directly from industry professionals about a wide range of theatre careers, including:
Participants will enjoy a combination of practical workshops, industry talks, Q&A sessions, live theatre experiences, and hands-on work experience. Taking place alongside Jersey Boys, this unique opportunity includes a chance to watch the production and hear from members of the team working behind the scenes to bring the show to life.
ABOUT THE PROGRAMME:
The aim of this week is to inspire the next generation of theatre-makers and artists by showcasing the many pathways into the industry. From the talent seen on stage to the skilled professionals working behind the scenes, participants will gain a deeper understanding of what goes into creating productions and running a successful theatre.
PROVISIONAL SCHEDULE:
Times: Approximately 10:30am–4:00pm each day, with later finishes on show days. Thursdays and Saturdays are likely to finish around 5:00pm. Schedule will be sent out to participants at least 1 week in advance
Please note: the schedule is subject to change.
Cost: £225.00 per participant
Bursary places and payment plans are available. Please get in touch to discuss your options.
IMPORTANT INFORMATION:
This is a ATG Inspire event. Tickets for ATG Inspire events are non-transferable and non-refundable. Please note that there is no wheelchair or lift access to these workshops. If you have any access requirements, please get in touch and we will be happy to discuss how we can support you edinburghinspire@atgentertainment.com
Southwark-based artists are able to apply for free use of Canada Water Theatre to support the development of creative ideas through rehearsals and closed R&Ds.
Bookable spaces for a given month are released via the form below during the first week of the previous month. The deadline to complete this form will be the 15th of each month and we will be in touch in the following week to confirm if we’re able to assign you space.
For more information and to book, click the Opportunity Info link below!
Genesis Theatre Design Programme is a free training and mentoring course for Black and Global Majority applicants, who are from socially and economically challenging backgrounds, who want to pursue a career in theatre as a:
This is a free two-year part-time course which incorporates:
Each course runs for six terms of study, with a seventh term on placement. Classes are held on two or three evenings each week, with one full day every Saturday.
Weekday sessions take place mostly in our design studio and workshops at Mulberry UTC in the Heart of Bow, East London. Saturday sessions are held at the National Theatre on the Southbank.
For more information and to apply, click the opportunity info link below!
Elevate is a practical, skills-building programme from acta Community Theatre for socially engaged theatre-makers and artists. Selected workshops are also open to people working across creative and community disciplines.
This workshop will explore:
The workshop is suitable for anyone whose work involves gathering and sharing community voices, including writers, storytellers, filmmakers and researchers.
The workshop takes place at acta’s theatre, accessed via five steps, with a lift available. An accessible toilet is also provided.
acta can offer a range of access adjustments, including on-site wheelchairs and walkers, accessible parking, free tickets for carers or companions, sighted guiding and large-print materials.
For access requests, including anything not listed above, please contact rosa@acta-bristol.com.
If cost is a barrier, acta may be able to help with attendance. Contact rosa@acta-bristol.com to discuss options.
Young Creatives is a friendly place for people ages 13 – 17 to explore all things ‘behind the scenes’ at a theatre! This is an opportunity to try new things, make new friends, and see shows together.
Workshops are entry-level and will be a mix of creative and social sessions with fun crafts, games and activities. There will also be workshops in some of the following areas:
The Northern Stage team and guest artists will give you a basic introduction to each of these areas, with an opportunity to try an activity in each discipline.
Applications are open throughout the term but may close if spaces are filled.
This 2-day training course and 4-month apprenticeship scheme are ideal for drama, arts and occupational, therapists; arts practitioners; community arts workers; oral historians; group workers; reminiscence practitioners; and professionals working in health and social care. An interest in, or experience of, positive approaches to dementia care is beneficial.
The training course runs from 17th to 18th September 2026 in Camden, London.
For more information, please see the URL in the Opportunity Info section of this listing.
The Open Fund for Individuals is one of Creative Scotland’s key funding programmes, supporting the wide range of activity initiated by artists, writers, producers and other creative practitioners in Scotland. The overall annual budget for this fund is £5 million.
The fund is intended to support periods of research, development and/or delivery of creative activity, such as specific projects and productions for up to 24 months. It can support an individual’s time where this is related to specific creative outcomes.
We will ask you to tell us the start and end date for this activity and to describe the outcomes, benefits and impacts that you wish to achieve.
Freelance and self-employed artists and creative practitioners living in Scotland who are at least 18 years old are eligible to apply. You must have a UK bank account in your name.
If you are not a self-employed individual or a sole trader, you may be eligible for the National Lottery Open Fund for Organisations.
Please read the guidance for full information on eligibility.
You can apply for between £500 and £50,000.
As standard, if your application request is between £500 and £20,000 you will hear the outcome in 10 weeks. If your application request is between £20,001 and £50,000 you will hear the outcome in 14 weeks.
Please see above for details of our 25/26 Christmas closure and the effects it will have on our processing timelines.
This 2-year, part-time MA is a creative and challenging exploration into the power of socially engaged arts. We aim to develop the next generation of cultural leaders and interdisciplinary theatre practitioners. Graduates will lead the way in providing meaningful, inclusive arts experiences that address social, political and educational issues in a broad range of settings.
The course offers a holistic programme that invites creative reflection on the power of storytelling for social transformation. Students address complex issues in critical and creative ways, considering the role of arts in education, migration and exile, health and building communities. You’ll engage with course learning through practical exploration, collaboration, group discussion, independent study and reflective practice.
Delivered part-time, we welcome applicants from all backgrounds, including professionals working in youth, community and/or education settings as well as performers looking to develop and diversify their practice.
VISITING AND GUEST PRACTITIONERS
In addition to the core Mountview team, students work with visiting lecturers and practitioners from a range world-class organisations. These include Turtle Key Arts, Punchdrunk Enrichment, Complicité, Clod Ensemble, Unicorn Theatre, Clean Break, Theatre Peckham, Candoco Dance Company, Brixton House, Wales Millenium Centre, Tate Modern, Glasshouse Theatre and Access All Areas.
Topics covered by visiting lecturers are varied and include:
Students are supported to discover placements for their independent research projects based on their specific interests and emerging ideas and practice. Recent partnerships include Newham Children In Care Council, Little Fish Theatre Company and Tropical Pressure Festival, among others.
COURSE CONTENT AND DELIVERY
There is one day of in-person teaching each week, with one additional Friday and Saturday each term.
Throughout the course students develop skills in critical thinking, facilitating, devising, leading, producing, discussing and teaching creatively and imaginatively. Study involves workshops, lectures and seminars as well as independent collaborative and solo practice/research. Students are assigned weekly reading materials to digest course themes and engage in learning through independent study.
Reciprocal and collaborative learning is embedded into course practice. Students are provided with opportunities to design and lead practical workshops for one another, to bring topics for facilitated discussion with their Course Leader and to choose areas of focus for specific assessments, based on their interests and experiences.
Practical areas of study include collaborative and ensemble techniques, forum theatre, arts for wellbeing, devised theatre, inclusive and trauma informed practices, arts and money, decolonial feminist approaches, facilitating in multilingual and multifaith spaces, and ethics in artistic practice.
Students gain practical experience running workshops in schools, both in Peckham and further afield – previous locations include Spain and Nigeria.
Students engage in a wide range of texts such as Theatre of the Oppressed by Augusto Boal, Teaching to Transgress: Education as the Practice of Freedom by bell hooks and Theatre for Living: The Art and Science of Community-Based Dialogue by David Diamond.
Assessments are varied and include essays, talks, education packs, presentations, and workshop samples.
The Edinburgh Festival Fringe Society is the organisation that underpins the Edinburgh Festival Fringe. Its core aims are to support participants, assist Fringe audiences and celebrate the Fringe and what it stands for all over the world.
As an open membership organisation, we're always looking for new and diverse voices to join the conversation and help shape the future of the Society.
Membership costs £5 a year to cover administration costs and members are responsible for electing the Board of Directors, adopting the accounts and appointing the auditors each year. By choosing to become a member of the Fringe Society, you play a significant role in one of the world’s most incredible arts festivals.
Membership to the Fringe Society is annual and runs for 12 months from the point at which you join. Before your membership expires we will remind you to renew your membership so you can continue to make a contribution to the Society.
The founding principle at the heart of the Edinburgh Festival Fringe – to be an open-access arts event that welcomes anyone with a story to tell and a venue to host them – still guides the work of the Society today.
It’s our policy that no single individual or committee determines who can or cannot perform on the Fringe.
The Society was formed in 1958, in recognition of the fact that more and more performers were coming to Edinburgh despite not being included in the Edinburgh International Festival programme. Its earliest tasks included providing information to artists, publishing the Fringe Programme and creating a central box office. In 1969 the Society was incorporated as a limited company and its constitution published.
Unlike many other festivals, our constitution celebrates the fact that the Society does not vet the Fringe Programme. That means we have no artistic director and that the programme is shaped by the initiative and vision of performers willing to showcase their work here.
