ACTING WORKSHOPS Further Than The Edge Productions are running weekly Open Level Acting Workshops for adults in two Camden venues. A motivating, fun and safe space for beginners, and people with experience who want to develop existing skills.
Develop your creativity, your skills of voice, space and movement, work collaboratively on improvisation and scripts, have fun, build your confidence.
These are open level workshops, so no previous acting training is required, but you must be prepared to work with other people - communicate and collaborate, and move around the space. You will also read/use extracts of playtexts/scripts.
Where and When:
2 sessions per week, 2 different venues - Wednesdays and Fridays
mornings 10am - 12.30pm
starting
Friday Oct 3rd to Dec 5th - Euston venue
and
Weds Oct 8th to Dec 10th - Swiss Cottage venue
Calling all theatre-makers, writers and creatives!
Have an idea for a new theatre project? Riverside Studios’ R&D Autumn Season Callout is now open.
We’re offering selected artists a week of free rehearsal space to research, develop and test new work, with a sharing at the end of the week.
Successful applicants will also receive basic technical and marketing support, a dedicated dressing room, and 10% off food and drink at Riverside.
We’re particularly keen to hear from creatives who are currently underrepresented in theatre, with at least 50% of places allocated to Global Majority, LGBTQ+, working-class and disabled artists.
Work In Theatre is an opportunity to explore, hear more about and take part in workshops about the hidden areas of theatre that people often do not know exist.
Through a variety of workshops, guest talks and practical opportunities, the group will explore areas of theatre which may include:
From Page to Stage – Directing
Audience & Outreach – Marketing
Running the Show – Stage Management
Technical Stagecraft
Character through Dress
Production Design Workshop and more!
Attendees will also see Wicked the Musical during the week on Wednesday 12th August 2026 at 2:30pm.
Bursary spaces available for those who may find price a barrier to accessing this workshop. Please email kitmiles@atgentertainment.com for more info on bursary and discounted spaces. For any further questions please email WestEndINSPIRE@atgentertainment.com
The Edinburgh Festival Fringe Society is the organisation that underpins the Edinburgh Festival Fringe. Its core aims are to support participants, assist Fringe audiences and celebrate the Fringe and what it stands for all over the world.
As an open membership organisation, we're always looking for new and diverse voices to join the conversation and help shape the future of the Society.
Membership costs £5 a year to cover administration costs and members are responsible for electing the Board of Directors, adopting the accounts and appointing the auditors each year. By choosing to become a member of the Fringe Society, you play a significant role in one of the world’s most incredible arts festivals.
Membership to the Fringe Society is annual and runs for 12 months from the point at which you join. Before your membership expires we will remind you to renew your membership so you can continue to make a contribution to the Society.
The founding principle at the heart of the Edinburgh Festival Fringe – to be an open-access arts event that welcomes anyone with a story to tell and a venue to host them – still guides the work of the Society today.
It’s our policy that no single individual or committee determines who can or cannot perform on the Fringe.
The Society was formed in 1958, in recognition of the fact that more and more performers were coming to Edinburgh despite not being included in the Edinburgh International Festival programme. Its earliest tasks included providing information to artists, publishing the Fringe Programme and creating a central box office. In 1969 the Society was incorporated as a limited company and its constitution published.
Unlike many other festivals, our constitution celebrates the fact that the Society does not vet the Fringe Programme. That means we have no artistic director and that the programme is shaped by the initiative and vision of performers willing to showcase their work here.
Want to have a go at Directing? We have an opportunity for you!
We're looking for directors to participate at our first Scratch Night, this July 13th at The Bread and Roses theatre (@breadandrosestheatre)
Each piece will be between 10 & 15 minutes, with 4 or fewer performers. Scripts will be performed Script-in-hand, with one online rehearsal, and one in-person rehearsal on the day. You must be available from midday on the 13th July to participate. We want to hear from anyone, regardless of experience, but especially those who are first-time and early career writers!
This is a profit-share opportunity at this stage. We are looking at alternative ways to fund these events in the future.
Would you like to see your writing performed by professional actors? Are you interested in learning more about writing for stage?
Wac Arts is thrilled to continue their intergenerational series with a free creative writing project exploring how theatre and storytelling can promote positive conversations and relationships across the community.
They are looking for young people aged 16 – 24 with an interest in creative writing and theatre to take part in a series of weekly workshops with members of the University of the Third Age at Wac Arts. Under the guidance of playwright Beth Flintoff, Associate Playwright at The Royal Court, the group will explore key aspects of writing for theatre, receive 1:1 script development support and create a series of pieces that will be performed by professional actors.
Dates: 1 June - 13 July, 16.30pm - 18.30pm
Final Sharing Date: 19 July, 13.00pm - 17.00pm
Location: Wac Arts, 213 Haverstock Hill, London NW3 4QP
Theatre Making: the Designer-Director Collaboration is a one-day workshop aimed at early career theatre designers and directors. This workshop uses practical exercises to interrogate the process of making work collaboratively.
As an early career director, you may have graduated from a related directing course and made work in:
Please note we are only looking for directors as the designer places are now full.
This workshop will take place on Monday 15 June, 10am – 6pm.
This workshop has been developed by long-time collaborators: designer Georgia Lowe and director Anthony Lau. We hope this workshop will be a space for designers and directors to meet and begin new partnerships.
Participants will be asked to read a one act play in advance of the workshop.
There will be optional networking drinks after the workshop from 6pm. There is also an optional breakfast from 9.20am.
This project is free to take part in. We can offer support access support and financial aid for travel bursaries are available to those in the Greater London area.
Are you a playwright based in the UK who would love to work with Middle Child? From next week, for one-week only, we're accepting scripts so that we can get to know writers we may work with in the future.
All of the details, including what we are and are not looking for, and where to send your script, are on our website (link in bio).
Pictured is our 2025 production of Biting Point by Sid Sagar, who participated in our 2020 associate writer programme following an open call out.
In the first week of May, Middle Child will accept submissions of full theatre scripts, for our literary manager to read. All you need to do is send it to scripts@middlechildtheatre.co.uk with your name and a location. Please include page numbers.
We want to read a script that shows off your voice and what you like to write about. We’re interested in untold stories that make sense of the world today. We are also only looking for one script per writer.
This Masters gives you a practical and theoretical engagement with the many forms of writing and production for theatre. Blending practice, theory and history, the programme is designed for those wishing to develop playwriting skills and knowledge of script development and support, opening the way to many theatre roles, including dramaturgy. You will learn about the changing roles of the playwright and dramaturge in contemporary theatre in the UK and elsewhere around the world, and be supported to define your own creative practice while developing valuable transferable skills in research, project management and critical reflection.
WHY THIS PROGRAMME
In this course, you will develop your skills in writing for radio, theatre and screen with an emphasis on your individual voice and style.
You will graduate with a portfolio of pieces and an understanding of how to approach theatres and film and TV production companies and work towards securing commissions as a professional playwright or screenwriter.
The MLitt will provide you with technically-oriented tuition by leading contemporary and award-winning playwrights, with an emphasis on best practice in recent and contemporary writing.
