The Post-Graduate Certificate (PGCert) in Performance Teaching is a Masters-level course designed to support professional musicians, actors, production artists and dancers who teach as part of their practice, either as their main employment or as part of a portfolio career.
In association with the Royal Opera House, Covent Garden
This Masters programme allows composers and writers to focus on how new opera is created, developed and performed. Part of an exciting partnership between Guildhall School and the Royal Opera House, the programme centres around the creation of a 25-minute chamber opera which is fully staged in Milton Court Studio Theatre.
The programme admits three composers and three writers each year. During an initial induction module, students pair up into composer-writer teams. Each team develops a short opera scene, before going on to create full chamber operas. Two smaller projects allow you to follow your own creative pathway: in poetry, prose, dramatic or film script (writers), and in vocal or instrumental/ electronic works (composers).
The programme focuses on the collaborative nature of opera making, and each composerwriter team is supported by collaborative mentoring. Students also take part in one-to-one tutorials, production seminars and creative development workshops.
Led by Julian Philips, Head of Composition, Stephen Plaice, Writer-in-Residence, and Laura Bowler, composition professor, teaching is enriched through regular seminars with visiting professionals from the opera world including conductors and directors, singers and instrumentalists, designers and stage managers.
The programme collaborates closely with Guildhall’s award-winning Opera Department, led by Dominic Wheeler, with Guildhall opera singers forming the cast for the chamber operas created by composer-writer teams.
Practical experience of opera during the year is hugely augmented by the programme’s association with the Royal Opera House, which provides opportunities to see productions in rehearsal and performance, and to meet and network with key resident and visiting practitioners.
The Masters in Music Therapy aims to develop students’ musicianship and personal potential, and equip them with the knowledge and skills to work as a registered music therapist.
On this programme, students gain experience working with adults and children alongside qualified music therapists on placements in a variety of settings including special and mainstream schools, and with people who experience:
- Mental health problems
- Dementia
- Learning disabilities
- School exclusion
- Communication delay
- Autism
- Acquired brain injury or stroke
- Social, emotional and behavioural difficulties
During the programme, students must undertake a minimum of 40 hours of individual personal therapy as a requirement from the Health and Care Professions Council (HCPC). This is an additional cost not covered by the tuition fees (funding support is available - see our Postgraduate Funding page for more information).
Mountview produces around 26 plays and musicals in theatres across London, the UK and internationally each year, giving Stage Management students a vast array of learning experiences.
We offer three training levels: a two-year Foundation Degree (FdA) which provides a fast-track training and a three-year BA (Hons) with greater experience. For students with previous experience who are looking to formalise their skills and develop industry contacts we also offers a one-year Diploma specialising in stage management.
Our vocational, hands-on course has seen graduates go on to work with many diverse companies including National Theatre,
London Olympics/Paralympics and Matilda The Musical.
Our practical training runs with a minimum of 30 hours per week, 36 weeks per year. It begins with workshops covering core skills in all areas of production arts with training from experienced industry professionals. Students then move quickly on to practical show roles in stage management.
Stage Management training covers:
Prompt book and show calling
Creative research including period-specific work
Working with pyrotechnics and blank firing weapons
Co-ordination and project management
Cueing to music
Prop making and sourcing
Stage managing musicals, classics and new writing
Working at some of London’s leading theatres
Designed for professional performers from all genres of dance looking to transition in their careers, the programme envisions the dance producer as a driving force to develop and shape the performing arts industry.
Learning from industry professionals, small and select cohorts will be equipped to take advantage of commercial and artistic opportunities and tackle complex challenges. Placements within dance and theatre organisations will develop their knowledge and skills in creating, producing, engaging audiences, marketing, business, finance and management. A strong emphasis on work-based learning through placements and projects will enable students to put their knowledge and skills into practice while building networks in the industry.
The programme was developed in collaboration with 25 industry partners, who represent the best of the artistic vibrancy of dance today, which has resulted in an ever growing pool of prospective placement providers from all areas of the field. This includes dance companies, independent dance artists, producers, and choreographers who work in a range of genres including ballet, contemporary dance, hip hop, music theatre, film and television. Based in artsdepot, students have access to two professional theatre spaces in which they can produce and stage work.
Contemporary and wide-ranging vocational postgraduate training for talented emerging directors.
In your first term, you will observe and participate in core LAMDA training alongside postgraduate acting students, working across the disciplines of acting, voice, movement and singing in order to develop an understanding of the actor’s process.
You will participate in seminars in text analysis and interpretation, and the aesthetics and processes particular to screen, as well as directing your fellow students in short scene studies.
In your second and third terms, you will assist professional directors on projects, onsite or digital productions, an original short film and an actors’ workshop at LAMDA. And during the spring holiday, you will collaborate with LAMDA actors to devise an original piece of theatre – an opportunity to put into practice what you have learned and develop your dramaturgical skills.
Your year will finish with you directing and realising a play of your choice in one of our performance spaces including invited industry. Over the past two years, these guests have included Natalie Abrahami, Ned Bennett, Giles Croft, Mike Longhurst, Roxanna Silbert and Lyndsey Turner.
