In association with the Royal Opera House, Covent Garden
This Masters programme allows composers and writers to focus on how new opera is created, developed and performed. Part of an exciting partnership between Guildhall School and the Royal Opera House, the programme centres around the creation of a 25-minute chamber opera which is fully staged in Milton Court Studio Theatre.
The programme admits three composers and three writers each year. During an initial induction module, students pair up into composer-writer teams. Each team develops a short opera scene, before going on to create full chamber operas. Two smaller projects allow you to follow your own creative pathway: in poetry, prose, dramatic or film script (writers), and in vocal or instrumental/ electronic works (composers).
The programme focuses on the collaborative nature of opera making, and each composerwriter team is supported by collaborative mentoring. Students also take part in one-to-one tutorials, production seminars and creative development workshops.
Led by Julian Philips, Head of Composition, Stephen Plaice, Writer-in-Residence, and Laura Bowler, composition professor, teaching is enriched through regular seminars with visiting professionals from the opera world including conductors and directors, singers and instrumentalists, designers and stage managers.
The programme collaborates closely with Guildhall’s award-winning Opera Department, led by Dominic Wheeler, with Guildhall opera singers forming the cast for the chamber operas created by composer-writer teams.
Practical experience of opera during the year is hugely augmented by the programme’s association with the Royal Opera House, which provides opportunities to see productions in rehearsal and performance, and to meet and network with key resident and visiting practitioners.
The Masters in Music Therapy aims to develop students’ musicianship and personal potential, and equip them with the knowledge and skills to work as a registered music therapist.
On this programme, students gain experience working with adults and children alongside qualified music therapists on placements in a variety of settings including special and mainstream schools, and with people who experience:
- Mental health problems
- Dementia
- Learning disabilities
- School exclusion
- Communication delay
- Autism
- Acquired brain injury or stroke
- Social, emotional and behavioural difficulties
During the programme, students must undertake a minimum of 40 hours of individual personal therapy as a requirement from the Health and Care Professions Council (HCPC). This is an additional cost not covered by the tuition fees (funding support is available - see our Postgraduate Funding page for more information).
We want you to learn, grow and succeed as managers in the music, theatre and entertainment industries.
In your first year, you develop a deep understanding of business, management, marketing and how to apply these skills in the theatre, entertainment and music industries. During second year, you start to specialise by taking on work which reflects your own personal career ambitions. You produce and deliver significant commercial events and products. You also gain experience of managing people and projects. We teach you how the contemporary global entertainment industry works and enhance your understanding of how digital software enables theatre, music and events managers to succeed. In your third year, you go on an industry placement and experience the front-line realities of business. Then, in your final term, we help you to bring all of this learning together so that you are fully prepared for the start of the rest of your entertainment, music and theatre industry career.
Mountview is currently the only UK drama school to offer Directing, Dramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries.
By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts.
Students on the Directing pathway will develop professional-level directing technique through classes and seminars, as well as opportunities to work as an assistant director and to direct their own work.
The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Producing and Performance students.
Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Directors, Creative Leaders, Theatre Makers, Artistic Directors, Commercial and Independent Producers, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.
STAFF AND PRACTITIONERS
The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination).
In addition to working alongside the core teaching team, MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:
Emily Aboud Award-winning director, Tender and Lady Dealer (Bush Theatre)
Sean Holmes Associate Artistic Director of Shakespeare’s Globe; former Artistic Director of the Lyric Hammersmith
Denzel Westley-Sanderson Winner of the RTST Sir Peter Hall Directing Award
Ned Bennett The Curious Incident of the Dog in the Night-Time (Birmingham Rep)
Ola Ince Director of Tina: The Tina Turner Musical (International Associate Director, London/Hamburg/Broadway/Utrecht) and Appropriate (Donmar)
Lucy Morrison Director of Hope Has A Happy Meal and This Is Not Who I Am (Royal Court)
This Musical Direction course has a 1-year MA or 2-year MFA option, offering students a more in-depth training experience. The course is an intensive for skilled musicians with ambitions to work in music leadership roles within theatre and beyond.
We have a strong reputation in the industry for rigour and quality, and previous students on the course can be found working on a diverse range of musical theatre productions across the West End, UK and internationally. The course is suited to experienced pianists, accompanists and conductors who have worked with singers, actors and instrumentalists, or would like to develop their skills in this area.
Mountview has developed an internationally renowned reputation for its commitment to musical theatre. Our state-of-the-art facilities in South London and the network of industry professionals who contribute to the teaching provide the ideal springboard for a career in music direction.
COURSE CONTENT AND DELIVERY
Teaching and contact time vary at different times of the year and depending on assignments. Each student has a bespoke timetable typically receiving between 15 and 25 hours each week. These comprise of core components and cross-course classes combined with allocated roles on projects and productions.
Across the year students will attend classes and seminars with leading practitioners and industry specialists; receive individual tutorials; assist professional musical directors on in-house and public productions; and lead musically on selected projects.
Assessment is ongoing and based on work throughout the course, culminating in summative assessment points in the second and third terms.
Mountview is currently the only UK drama school to offer Directing, Dramatic Writing and Producing as three distinct, specialised pathways within a single, unified Creative Practice MA framework. The course is designed for multi-hyphenate practitioners who are excited by collaboration and meeting the demands of the twenty-first century creative industries.
By bringing directors, writers and producers into one ecosystem, the course mirrors the professional world by fostering creative partnerships through shared engagement with modes of collaboration, creative enterprise, dramatic structures and critical contexts.
Students on the Producing pathway develop a robust and practical understanding of producing, across both the commercial and not-for-profit sectors. You will expand your understanding and critical awareness of current practices through extensive engagement with leading industry practitioners and academics.
The course concludes with the opportunity to put your learning into practice through the staging of a public facing, fully-realised festival of new work. VIEW Festival allows students to develop their pathway specific skills while also collaborating closely with the Dramatic Writing, Directing and Performance students.
Our MA Creative Practice graduates leave with an established network of industry contacts and prepared for high-impact careers as Commercial and Independent Producers, Creative Leaders, Theatre Makers, Artistic Directors, Venue Leaders, Playwrights, Screenwriters, and Dramaturgs.
STAFF AND PRACTITIONERS
The Creative Practice teaching team is led by Hamish Pirie and Dawn Ingleson as Joint Course Leaders, alongside Roy Williams as Distinguished Visiting Artist. Dawn worked extensively at the National Theatre as a creative producer and has also taught at LSBU, while Hamish’s directing credits include work at the Royal Court, Donmar Warehouse, Paines Plough and Traverse Theatre. Roy is a multi-award winning writer whose credits include Death of England: The Plays (National Theatre), The Lonely Londoners (Kiln and Jermyn Street Theatre) and Sucker Punch (Royal Court, Olivier Award nomination).
Recent guest tutors on the Producing pathway have included Alison King (Turtle Key Arts), Daniel Cooper (The Yard), Joseph Smith (Stage One), Will Bridgeland (Candoco Dance Company), Katie Town (Theatre Royal Wakefield), Jo Crowley (Aakash Odedra Company), India Crawford (Arts Council), Belinda Clark (Brixton House), Ed McGovern (Crossroads Live), Davy Berryman (The Lost Estate) and David Ralf (Theatre Deli).
MA Creative Practice students also benefit from industry masterclasses specific to their pathway, led by the world’s most prestigious creative powerhouses. Recent MA Creative Practice sessions have featured:
Designed for professional performers from all genres of dance looking to transition in their careers, the programme envisions the dance producer as a driving force to develop and shape the performing arts industry.
Learning from industry professionals, small and select cohorts will be equipped to take advantage of commercial and artistic opportunities and tackle complex challenges. Placements within dance and theatre organisations will develop their knowledge and skills in creating, producing, engaging audiences, marketing, business, finance and management. A strong emphasis on work-based learning through placements and projects will enable students to put their knowledge and skills into practice while building networks in the industry.
The programme was developed in collaboration with 25 industry partners, who represent the best of the artistic vibrancy of dance today, which has resulted in an ever growing pool of prospective placement providers from all areas of the field. This includes dance companies, independent dance artists, producers, and choreographers who work in a range of genres including ballet, contemporary dance, hip hop, music theatre, film and television. Based in artsdepot, students have access to two professional theatre spaces in which they can produce and stage work.
Contemporary and wide-ranging vocational postgraduate training for talented emerging directors.
In your first term, you will observe and participate in core LAMDA training alongside postgraduate acting students, working across the disciplines of acting, voice, movement and singing in order to develop an understanding of the actor’s process.
You will participate in seminars in text analysis and interpretation, and the aesthetics and processes particular to screen, as well as directing your fellow students in short scene studies.
In your second and third terms, you will assist professional directors on projects, onsite or digital productions, an original short film and an actors’ workshop at LAMDA. And during the spring holiday, you will collaborate with LAMDA actors to devise an original piece of theatre – an opportunity to put into practice what you have learned and develop your dramaturgical skills.
Your year will finish with you directing and realising a play of your choice in one of our performance spaces including invited industry. Over the past two years, these guests have included Natalie Abrahami, Ned Bennett, Giles Croft, Mike Longhurst, Roxanna Silbert and Lyndsey Turner.
Reasons to study Stage and Events Management
• Experience a variety of roles on a range of productions and events both in College and in London venues.
• Develop relationships with, and an understanding of, other disciplines; including lighting, sound, set construction, costume and prop-making, marketing, outreach, venue and site management, administration and finance.
• Sharpen your creativity and management skills whilst collaborating with students from other programmes to deliver diverse performances and events.
• Extend your learning through research, secondments, work placements in the industry or a period of study abroad.
• Share classes and projects with students from other programmes to learn about the cultural, performance, arts and events industries and how to use experimentation, enquiry and creative research in your work as you prepare to build a successful career.
Career opportunities
Adaptable and creative practitioners, graduates from the Stage Management Programme, from which this programme has been developed, have gone on to work in a wide range of fields: theatre, dance, opera, television, festivals and corporate events. They have also moved into sound and video for live performance alongside arts and venue management roles.
“It prepares you very much for the industry and the way they’ve built it as a technical course, your level of training is like no other.” Anthony Norris-Watson
Deputy Production Manager, The Old Vic Theatre
Location: Sidcup
