Sound Engineering and Production explores a variety of practical applications for sound including radio, TV, music recording, live sound, gaming audio and VR.
Building a strong understanding of audio systems, studio recording and live sound in year one, you will progress to explore topics such as audio installations and sound design in year two. By your final year, you’ll study more advanced modules in specialist areas alongside completing a project based on a real-world issue.
With our strong industry connections and links surrounding Greater Manchester, you’ll have plenty of opportunities to gain practical experience and network with industry experts on live music scenes at venues, clubs, and bars.
At Salford, we want you to learn from expert tutors using world-class facilities, so our rich and varied curriculum provides you with access to multi-million-pound standard software Pro Tool enabled studios, TV and video suites and digital media performance labs. This degree embeds theoretical knowledge with creative application to help you capture the best audio possible and deliver an exceptional listener experience.
More importantly, collaboration is core to our values, so you’ll experience small group teaching which ensures that you learn in practical environments around campus. This engaging teaching equips you with professional knowledge and skills to deliver audio at the highest standard, so you are ready for working life after you graduate.
On this course, you will have the option to take an industry placement year between years two and three. Although you will be responsible for securing your placement, our tutors will support you in finding a role, and monitor your progress throughout.
Industry placements are an excellent way to enhance your CV, gain hands-on work experience and build industry connections. We often find that placement students achieve higher final year grades.
As the first UK institution to offer pioneering and distinctive courses in Popular Music and Recording and Band Musicianship, our reputation for innovation and excellence within music education continues to flourish.
This course builds upon our long-standing reputation and offers a full specialisation in the field of music technology and has been ranked the number one Creative Music Technology course in the North West and number two in the UK in the 2021 Guardian university league tables. Plus, overall satisfaction with the course among students is 97% (University of Salford analysis of unpublished NSS 2020 data).
The Studio Recording and Production modules enable you to develop confidence in traditional studio skills, backed up by a solid academic understanding of historical developments and aesthetic considerations. Audio for Media trains you in the specific discipline of composing, arranging and producing audio for film, radio, television and gaming. Studio Composition covers a broad range of technical and genre viewpoints, from popular electronic music techniques to electro-acoustic composition. Thorough technical training and the study of acoustics underpin all of the creative work undertaken through the course.
Building upon our established reputation in music technology, the Creative Music Technology pathway offers a broad-based curriculum in Year One followed by the opportunity to specialise in music technology throughout Year Two and Three. Creative work is underpinned by technical training and study of acoustics.
Our music course offers training in a huge range of styles from classical and popular, to musical theatre, jazz and contemporary music. You’ll be able to make music on your own and with others, perform in orchestras, choirs and bands, and work with improvisation.
As a performer, you’ll receive free instrumental/vocal lessons, enjoy 24/7 practice room access and the opportunity to take part in regular concerts. As a composer you’ll have access to excellent recording facilities, state of the art Mac labs and many opportunities to showcase your work. All music students benefit from visits by industry professionals, including: performers, composers, promoters, publishers and educators.
Whether you’re interested in performance, composition, music history, analysis or the music industry itself, our experienced staff and vibrant musical community can help unlock your musical potential.
Our award-winning Professional Training placements prepare students for roles in industry.
Our BMus (Hons) Creative Music Technology course offers you a route to an exciting career in the arts and creative industries. Our course will equip you with the skills for making innovative music in the 21st century, helping you to develop your own unique musical style. On this course you’ll be taught by music technology experts and creative practitioners, and work in a unique environment using world-class professional facilities. You’ll also have opportunities to collaborate with students from across the department.
On this practice-led course you’ll study the creative use of music technology using a wide range of specialist software and hardware, preparing you for a broad range of careers in the creative industries.
You’ll choose from areas of study such as electronic music creation and performance, sound design, music for moving image and creative music programming. Traditional music skills are also an important part of the course, and you may also choose to study traditional instrumental music, including performance.
Our vision is to create ‘thinking musicians’. We’ll work with you to develop analytical and interdisciplinary approaches to composing and performing with technology and to produce a strong portfolio of creative work.
The skills that you develop will prepare you for professional opportunities in the creative industries as well as future postgraduate education.
This course is offered by North East dance organisation, Dance City, in partnership with the University of Sunderland.
Our unique course has been designed by leading dance professionals to prepare you for a varied and multi-faceted career, ensuring you are able to thrive in a range of roles and settings within the dance sector and beyond.
The course begins and ends in the studio, and you’ll be dancing from morning to evening most of the time. It is a challenging course that will require much of you physically, socially, and creatively across the three years of practice and study. We are committed to offering a foundation of support and care to enable you to make to the most of this opportunity.
Dance City graduates are top-class performers, teachers, choreographers, producers, and cultural managers. We have mapped our graduates into more than 50 creative career paths so far. We are proud to be empowering the next generation of dance professionals and invite you to create your dance future.
BA (Hons) Hair, Make-up and Prosthetics for Performance teaches the specialist skills to enter the performance industry working as a make-up / prosthetics artist as well as hair / wig dresser and maker.
Why choose this course at London College of Fashion
Where graduates have gone on to work: graduates have worked on film productions, such as Harry Potter and War Horse, TV productions including Luther and The Hour and in West End and globally touring theatre productions.
Industry standard facilities and equipment: the course has dedicated rooms for sculpting, plaster casting and moulding. Students will also have access to fiberglass, silicone, spray and extraction rooms, a wig making room and specialized ovens and make-up and prosthetics application rooms.
Industry links: aided by its London location, the course has strong relationships with the industry, with studios and theatres being easily accessible. Previous work experience opportunities have included The English National Opera and Pinewood Studios.
If you've studied sound or music technology at university, been working in sound professionally, or if you've been experimenting with sound as a composer, sound artist or engineer and are looking for a way to develop your voice, this programme is for you.
We offer an interdisciplinary taught Masters programme at the forefront of the University of Edinburgh’s rich expertise in the creative arts, music and digital media design.
Uniquely, we balance challenging practical project work with theoretical study. This creates an inspiring and motivating work environment.
Studying for an MSc in Sound Design will expand your appreciation of the potential for sound design across a range of musical and artistic practice. Crucially, you’ll develop as a sonic artist, be challenged to rethink what sound design is and why it is central to a number of developments in the arts, the media, critical theory and even science.
The normal period of study for the degrees are as follows:
MSc: One year full-time or two years part-time
MPhil: Two years full-time or four years part-time
PhD: Three years full-time or six years part-time
For the MPhil and PhD in Composition degrees students are allocated principal and second supervisors who oversee and guide the development of their work.
Students submit a portfolio of original compositions in place of a thesis. The MPhil portfolio should include one work suitable to form the major item in a concert program.
For the PhD the portfolio should normally include one major work, the performance of which would occupy an entire evening (i.e. an opera). Part or all of the portfolio may consist of computer-based or electronic fixed-media works, interactive work or work involving new media.
There is no requirement for an additional thesis or commentary to accompany the portfolio, but students are required to develop an understanding of the cultural context of their work.
All research degrees require students to work closely with a supervision team. Please browse staff profiles to learn about the research specialisms and outputs of Music staff. If your research is interdisciplinary, look at staff profiles in other subject areas, too. We encourage you to approach staff directly to gauge their availability and suitability as a prospective supervisor.
When making first contact with either a prospective supervisor or the Programme Director, please introduce yourself and mention your research intentions as a composer. If you maintain a professional website or online portfolio, please include a link.
This helps potential supervisors to understand your vision of the scope of a PhD or MScR project, and your understanding of the type of practical - as well as intellectual - matters that postgraduate research entails. This early contact with staff should also be helpful to you, for decisions you will need to make about how to develop your proposal, and with whom you would like to work.
The PhD in Creative Music Practice provides an opportunity for candidates to pursue practice-led research in the field of music at the highest level.
The PhD in Creative Music Practice involves research that combines textual and musical outputs. For example:
Composition
Performance (either of original or pre-existing repertoire)
Installation
Sound design
Interactive music software, etc.
The outputs take the form of a portfolio, performance, and/or recording, as well as theoretical work and documentation of the processes by which the music was made (e.g. video, photographs, recordings, sketches, studies, web pages).
The musical outputs are explicitly linked to the textual material. This linkage may take various forms: musical material might exemplify, contextualize, and/or expand an idea elaborated in the text, and vice versa.
The programme requires candidates to critically evaluate and articulate the relationship of textual to extra-textual media in the formation of musical knowledge. The format of the PhD thesis consists of a text of not more than 50,000 words and a comprehensive record of the musical material (recordings, scores, software etc.) contained in a coherent and archive-able format (bound thesis and/or CD/DVD). In the case of theses relating to live musical performances, documentation in the form of high quality audio and video recordings is central to the submitted materials.
Acoustics and music technology sit at the exciting crossroads between science and the arts. In this rewarding programme you will combine aspects of both worlds to gain insight into the science of sound, and progress towards further research or a career in acoustics and music related technology.
What you will study
The MSc/Dip in Acoustics and Music Technology is led by the Reid School of Music. Taking the science of sound as your focus, you’ll work in a cross-disciplinary environment, using theoretical and experimental work to explore the musical, technical and multimedia applications of acoustics and audio technology. You’ll have access to a comprehensive suite of facilities – from up-to-date recording studios and sound desks, to an anechoic chamber, reverberation room and historic concert halls, with availability subject to COVID-19 restrictions.
This is a unique degree programme, combining both technical and creative subjects. You will gain a solid platform in the essential technical aspects of acoustics, signal processing and computer programming for audio, while at the same time have the opportunity to undertake more artistically creative study in the fields of music and sound design. It is also possible to tailor your course choices to take in subjects in mathematics, informatics, physics, electronic engineering and speech recognition and synthesis technologies, for a more technical overall slant. Whatever path you choose to take, you will have a unique opportunity to engage with and learn from world-class academics in the fields of acoustics, music and audio technology, in an environment of active, international-quality research.
