This six-week course will focus on different ways of analysing theatre, and empowering participants to talk about their experience as an audience member. The course will enable you to think like a professional theatre maker, analyse like a reviewer, and gain the tools to be an expert of your own opinion.
This course will take participants behind the scenes to explore a theatre-maker’s toolkit. From design to direction, and acting to sound, we’ll unveil the ingredients used in creating a production.
KEY INFORMATION:
WHO IS THE COURSE FOR?
For anyone aged 18 and over interested in theatre; theatre goers and play lovers and anyone who wants to deepen their understanding of the craft involved behind making a performance. Whether you're a regular audience member, a budding critic, or simply passionate about the stage, this course will give you the tools to see theatre through a new lens.
WHAT CAN I EXPECT?
The course will involve lectures, watching clips of theatre, learning theory, and guided discussions.
You will explore different job roles within the theatre and will look at how each of these approach putting on a production. These include:
You will gain new skills in analysing and discussing what you see on stage, and a deeper knowledge of stagecraft.
For more information and to sign up, click the opportunity info link below!
Genesis Theatre Design Programme is a free training and mentoring course for Black and Global Majority applicants, who are from socially and economically challenging backgrounds, who want to pursue a career in theatre as a:
This is a free two-year part-time course which incorporates:
Each course runs for six terms of study, with a seventh term on placement. Classes are held on two or three evenings each week, with one full day every Saturday.
Weekday sessions take place mostly in our design studio and workshops at Mulberry UTC in the Heart of Bow, East London. Saturday sessions are held at the National Theatre on the Southbank.
For more information and to apply, click the opportunity info link below!
REWRITES is a partnership programme led by Lowry, Birmingham Hippodrome, Mayflower Southampton, Norwich Theatre and Capital Theatres Edinburgh.
REWRITES champions bold new musicals that are ready to connect with audiences across the country, recognising touring as a crucial stage in a show's development. By enabling productions to test, refine and strengthen their work in front of diverse audiences nationwide, REWRITES creates a clear pathway for ambitious new musicals, combining direct financial support with in-kind expertise from some of the UK's leading theatre organisations.
Initiated by Lowry in 2017, musicals featured in REWRITES include: Jeezus! By Sergio Antonio Maggiolo, Ballad Lines by Finn Anderson and Tania Azevedo, Half Man Half Bull by Wright & Grainger, Chosen by Taiya Yoshida & Dominic Varney, Nel’s Place by Sheep Soup, No Miracles Here by The Letter Room, A Super Happy Story (About Feeling Sad) by Jon Brittain and Matthew Floyd Jones (Kathy & Stella) and Snowflake by Lewis Cornay. The award-winning West End and Broadway musical Operation Mincemeat started out at a scratch event as part of REWRITES.
REWRITES platforms normally take place twice a year in Spring and Autumn. Our next opportunity is Autumn 2027. Dates TBC.
Submissions open on 20th July and closes on 18th December. Applicants will hear by the end of January.
For more information and to apply click the opportunity link below!
NYMT in partnership with Chauvet Professional and White Light host an exciting insight into the world of Theatre Lighting.
Come and see a demonstration of new equipment, participate in a Q&A with industry professionals and network with likeminded people. Lighting Designer and Chauvet Relationship Manager Nic Farman is joined by NYMT Head of Production Jordan Harris and White Light Head of Lighting Dominic Yates.
After the session, have the opportunity to watch NYMT's production of Every Day to see the equipment and Nic's lighting design in action.
This event is aimed at those interested in entertainment lighting, aged 13-25.
21 August 2026 | Patrick Studio, Birmingham Hippodrome | 9:45am – 12 noon
Elevate is a skills-building programme from acta Community Theatre for socially engaged theatre-makers, artists, community organisers and campaigners interested in working creatively with communities.
This practical, explorative workshop will explore:
The theatre is accessed via five steps, with a lift available. There is also an accessible toilet. acta can provide a range of adjustments, including on-site wheelchairs and walkers, accessible parking, free tickets for carers/companions, sighted guiding and large-print materials.
If you have access requirements, including anything not listed above, please contact rosa@acta-bristol.com.
The first workshop, Creative Facilitation, takes place on 16 September.
If cost is a barrier, acta may be able to help with your attendance. Contact rosa@acta-bristol.com to discuss options.
Sheffield Theatres are looking for a Making Room Observer to join the company of Twelfth Night.
Making Room Observer opportunities are for aspiring and early-career theatre creatives based locally to Sheffield Theatres who want to familiarise with professional rehearsal practice.
Making Room Observers are invited to observe one day each week of rehearsal, and two days of technical rehearsals. Making Room Observers are also invited to attend a preview performance and opening night.
The Making Room Observer for Twelfth Night will receive a £350 fee to support their attendance and observation of the rehearsal process.
Young Creatives is a friendly place for people ages 13 – 17 to explore all things ‘behind the scenes’ at a theatre! This is an opportunity to try new things, make new friends, and see shows together.
Workshops are entry-level and will be a mix of creative and social sessions with fun crafts, games and activities. There will also be workshops in some of the following areas:
The Northern Stage team and guest artists will give you a basic introduction to each of these areas, with an opportunity to try an activity in each discipline.
Applications are open throughout the term but may close if spaces are filled.
Young Technicians is aimed at young people aged 15-19-years-old who are interested in getting to grips with lighting, sound and stage management in a variety of indoor and outdoor settings. The course runs over a twelve-week period in the Autumn here at Lighthouse Poole.
Led by James Smith, Technical Manager of Lighthouse Poole and Production Designer & Technical Director of our pantomime, you will be given the chance to see what goes on behind the scenes of this year’s show, Jack and the Beanstalk, working alongside all technical departments during the run-up to opening night.
You will have the opportunity to take part in masterclasses led by industry-leading professionals with hands on sessions covering all elements required to deliver world class live entertainment.
Takes place November 2026 - February 2027
From the buzz of show days to the behind-the-scenes magic: gain hands-on experience across a wide range of technical activities both on and off stage.
ABOUT US:
With a mission to enrich the cultural life of our region, Birmingham Hippodrome is one of the most popular theatre complexes in the UK. Varied productions in our 1,850-seat auditorium (dating from 1899), and in our 200-seat Patrick Studio ensure we play a key role in the region’s world-class cultural scene. With c.400 live performances annually in our main house, we present nothing but the best in touring musical theatre, ballet, dance, opera, pantomime, drama, and comedy. Our Patrick Studio welcomes a range of smaller-scale productions and is an important base for dance and for the development of new artistic work.
Our Tech Team is welcoming, inclusive, and committed to passing on knowledge and skills, willing to teach and train. Plus, we get to work on some of the largest UK touring shows. This year we had 2 of our amazing apprentices graduate, and both are now working in Technical Theatre roles.
ABOUT THE ROLE:
As an apprentice in the vibrant world of theatre, the post-holder will play an active role in supporting the technical team to deliver high-quality theatre productions. From the buzz of show days to the behind-the-scenes magic, they will gain hands-on experience across a wide range of technical activities both on and off stage, including get-ins and get-outs, show running, equipment maintenance, and general backstage operations. This role offers a unique opportunity to learn the full scope of technical theatre while contributing to the smooth and successful running of live performances.
ABOUT YOU:
We are looking for someone with a real passion and interest in technical theatre. Previous experience would be useful, but it's more important that you are proactive, motivated, and eager to learn.
You must be over 18 (or will be by 21 September) and have passed GCSE English and Maths. You cannot have a degree-level qualification as a Creative Venue Technician or in Technical Theatre, but an adjacent subject such as Music Production would be fine.
You must also have:
Recognising under-representation in our workforce of the global majority, and people with disabilities, we particularly welcome applicants from those backgrounds.
OUR APPRENTICES:
Birmingham Hippodrome are very proud of our apprenticeships tradition, particularly in our Technical department, and won an Apprenticeship Employer of the Year award in 2025. Our previous Technical Apprentices have:
A Paid Residency Opportunity for Early-Career Artists in Bristol
Creative Futures is offering 4 early-career artists a £500 commission & a 3-month residency each to develop new art, music, sound &/or performance works. Creative Youth Network will provide commissioned artists with a structure of support, mentoring, artist-to-artist creative exchange & workshops to develop their creative practices, producing skills, professional networks, and artistic community - ending with a public showcase of the commissioned artist’s works at The Courts in Bristol’s city centre.
The residency runs from Tues 6th Oct 2026 - Tues 26th Jan 2027. Commissioned artists will receive:
We are looking for artists working across all creative disciplines, with two of the four places will be reserved for musicians and sound artists.
