Rigid schedules don’t work for everyone – especially neurodiverse people. In this FREE online workshop we’ll look at practical techniques to manage your time and help you get things done – from flexible time blocking, task organisation and restful boundaries built specifically for neurodivergent minds. 

WHAT YOU'LL GAIN:

WHO IT'S FOR:

This free online workshop is for creative freelancers, founders, and entrepreneurs aged 18–30 who identify as neurodivergent

Absolutely no prior professional background or experience is required to join the conversation. 

ESSENTIAL INFO:

We are committed to supporting D/deaf, disabled and neurodiverse young people, those with medical conditions, access requirements or any lived experience that may require adaptation, support or sensitivity. If there is anything you would like to let us (our youth workers, tutors or staff) know that will support your enjoyment and access, you can do so by emailing us at advicebase@roundhouse.org.uk, and we will contact you to discuss further how to best support your engagement.

For more information and to sign up, click the Opportunity Info link below!

This six-week course will focus on different ways of analysing theatre, and empowering participants to talk about their experience as an audience member. The course will enable you to think like a professional theatre maker, analyse like a reviewer, and gain the tools to be an expert of your own opinion.

This course will take participants behind the scenes to explore a theatre-maker’s toolkit. From design to direction, and acting to sound, we’ll unveil the ingredients used in creating a production.

KEY INFORMATION:

WHO IS THE COURSE FOR?

For anyone aged 18 and over interested in theatre; theatre goers and play lovers and anyone who wants to deepen their understanding of the craft involved behind making a performance. Whether you're a regular audience member, a budding critic, or simply passionate about the stage, this course will give you the tools to see theatre through a new lens.

WHAT CAN I EXPECT?

The course will involve lectures, watching clips of theatre, learning theory, and guided discussions.

You will explore different job roles within the theatre and will look at how each of these approach putting on a production. These include:

You will gain new skills in analysing and discussing what you see on stage, and a deeper knowledge of stagecraft.

For more information and to sign up, click the opportunity info link below!


Genesis Theatre Design Programme is a free training and mentoring course for Black and Global Majority applicants, who are from socially and economically challenging backgrounds, who want to pursue a career in theatre as a:

This is a free two-year part-time course which incorporates:

Each course runs for six terms of study, with a seventh term on placement. Classes are held on two or three evenings each week, with one full day every Saturday.

Weekday sessions take place mostly in our design studio and workshops at Mulberry UTC in the Heart of Bow, East London. Saturday sessions are held at the National Theatre on the Southbank.

For more information and to apply, click the opportunity info link below!

REWRITES is a partnership programme led by Lowry, Birmingham Hippodrome, Mayflower Southampton, Norwich Theatre and Capital Theatres Edinburgh. 

REWRITES champions bold new musicals that are ready to connect with audiences across the country, recognising touring as a crucial stage in a show's development. By enabling productions to test, refine and strengthen their work in front of diverse audiences nationwide, REWRITES creates a clear pathway for ambitious new musicals, combining direct financial support with in-kind expertise from some of the UK's leading theatre organisations. 

Initiated by Lowry in 2017, musicals featured in REWRITES include: Jeezus! By Sergio Antonio Maggiolo, Ballad Lines by Finn Anderson and Tania Azevedo, Half Man Half Bull by Wright & Grainger, Chosen by Taiya Yoshida & Dominic Varney, Nel’s Place by Sheep Soup, No Miracles Here by The Letter Room, A Super Happy Story (About Feeling Sad) by Jon Brittain and Matthew Floyd Jones (Kathy & Stella) and Snowflake by Lewis Cornay. The award-winning West End and Broadway musical Operation Mincemeat started out at a scratch event as part of REWRITES.  

When is REWRITES?

REWRITES platforms normally take place twice a year in Spring and Autumn.  Our next opportunity is Autumn 2027. Dates TBC.  

What do you offer?

Submissions open on 20th July and closes on 18th December. Applicants will hear by the end of January.

For more information and to apply click the opportunity link below!

Elevate is a skills-building programme from acta Community Theatre for socially engaged theatre-makers, artists, community organisers and campaigners interested in working creatively with communities.

This practical, explorative workshop will explore:

Access

The theatre is accessed via five steps, with a lift available. There is also an accessible toilet. acta can provide a range of adjustments, including on-site wheelchairs and walkers, accessible parking, free tickets for carers/companions, sighted guiding and large-print materials.

If you have access requirements, including anything not listed above, please contact rosa@acta-bristol.com.

Booking & Pricing

The first workshop, Creative Facilitation, takes place on 16 September.

If cost is a barrier, acta may be able to help with your attendance. Contact rosa@acta-bristol.com to discuss options.

Young Creatives is a friendly place for people ages 13 – 17 to explore all things ‘behind the scenes’ at a theatre! This is an opportunity to try new things, make new friends, and see shows together.

Workshops are entry-level and will be a mix of creative and social sessions with fun crafts, games and activities. There will also be workshops in some of the following areas:

The Northern Stage team and guest artists will give you a basic introduction to each of these areas, with an opportunity to try an activity in each discipline.

Applications are open throughout the term but may close if spaces are filled.

Young Technicians is aimed at young people aged 15-19-years-old who are interested in getting to grips with lighting, sound and stage management in a variety of indoor and outdoor settings. The course runs over a twelve-week period in the Autumn here at Lighthouse Poole.

Led by James Smith, Technical Manager of Lighthouse Poole and Production Designer & Technical Director of our pantomime, you will be given the chance to see what goes on behind the scenes of this year’s show, Jack and the Beanstalk, working alongside all technical departments during the run-up to opening night.

You will have the opportunity to take part in masterclasses led by industry-leading professionals with hands on sessions covering all elements required to deliver world class live entertainment.

Takes place November 2026 - February 2027

The European Reminiscence Network announces a new training course and apprenticeship scheme in reminiscence arts in dementia care - in partnership with the University of Greenwich. 

This 2-day training course and 4-month apprenticeship scheme are ideal for drama, arts and occupational, therapists; arts practitioners;  community arts workers; oral historians; group workers; reminiscence practitioners; and professionals working in health and social care. An interest in, or experience of, positive approaches to dementia care is beneficial. 

The training course runs from 17th to 18th September 2026 in Camden, London. 

For more information, please see the URL in the Opportunity Info section of this listing. 

Creative Steps funds the professional, business and organisational development of artists who have experienced barriers to careers within the arts.

Creative Steps for Individuals is for supporting career development, and NOT for creating new work or project delivery. For example, creating artwork to sell online would not be applicable but working with a mentor to develop your painting skills would be. 

We want artists to identify exactly what they need to progress and professionalise their artistic career, and to remain open to exploring different ways of doing this with our support. 

We recognise that everybody’s needs are different and that professional development varies from individual to individual. However, these are some of the things that your application could include:

When completing the budget, you should include the following:

We expect all applicants to pay freelancers the standard industry rates as a minimum. If people are providing their time in-kind, we would need to know why and have this confirmed in a letter of support from them. 

The Open Fund for Individuals is one of Creative Scotland’s key funding programmes, supporting the wide range of activity initiated by artists, writers, producers and other creative practitioners in Scotland. The overall annual budget for this fund is £5 million.

What the fund supports

The fund is intended to support periods of research, development and/or delivery of creative activity, such as specific projects and productions for up to 24 months. It can support an individual’s time where this is related to specific creative outcomes. 

We will ask you to tell us the start and end date for this activity and to describe the outcomes, benefits and impacts that you wish to achieve.

Eligibility

Freelance and self-employed artists and creative practitioners living in Scotland who are at least 18 years old are eligible to apply. You must have a UK bank account in your name.

If you are not a self-employed individual or a sole trader, you may be eligible for the National Lottery Open Fund for Organisations.

Please read the guidance for full information on eligibility.

Funding amounts

You can apply for between £500 and £50,000.

Timescales

As standard, if your application request is between £500 and £20,000 you will hear the outcome in 10 weeks. If your application request is between £20,001 and £50,000 you will hear the outcome in 14 weeks.

Please see above for details of our 25/26 Christmas closure and the effects it will have on our processing timelines.

Read me aloud