The visual and performing arts are one of nine sectors within the creative industries. The below links are great places to look for more general careers info for all the creative industries and not just theatre.
Search all theatre opportunities here
DISCOVER! Creative Careers brings together careers information and opportunities from creative organisations in one explorable directory.
Masterclass offers workshops online and in person for young people, with those well known and working in the industry.
Find more theatre careers advice here
Upstart Projects creates opportunities for young people to develop as the arts professionals of the future. They support young people to lead and manage projects, act as ambassadors, find their voice in the arts and train other people. In short, they offer real experiences which build skills and can lead into arts and media careers.
Find more theatre careers advice here.
A theatre Lighting Technician (LT) prepares and operates the lighting system for a production. They make the lighting effects for live theatre productions based on the designs created by the Lighting Designer (LD). The type of work can vary depending on the production.
Search Technician opportunities to help you get into theatre here
You do not need a degree for this role and most training takes place on the job. Additional training throughout your career is essential to keep your knowledge up-to-date. You can gain qualifications in any subject related to lighting design and technology such as:
Find training opportunities to be a lighting technician from across the theatre industry here
You can start as a Stagehand, Lighting Crew or casual Technician. You can get these roles through apprenticeships, work experience or even technical based youth theatres. You can also start as an Assistant at a lighting hire company as they are often involved in productions and there is potential to get your foot in the door this way. Some venues will have in-house technicians that may cover both sound and lighting.
Some people go on to work as Lighting Designers. Have a look at our vlog with Lighting Designer and Technician Rajiv Pattani.
A starting salary for a Lighting Technician can be an apprenticeship wage or on a minimum wage zero hour contract. Lighting Technicians on specific tours or productions can earn a weekly fee, with in-house technicians either working as a casual, or receiving a regular salary. For more information about Technician rates and jobs, you can join the Association of British Theatre Technicians.
The above is a guide. Pay, salary or fee can vary depending on the theatre or company, as well as your personal experience. National institutions or commercial productions can pay in excess of the above, with profit-share or community theatre paying less.
You can find theatre jobs via The Stage Jobs here
https://www.prospects.ac.uk/job-profiles/lighting-technician-broadcasting-film-video
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https://careerswales.gov.wales/job-information/theatre-lighting-technician/skills-and-qualities
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Published: 9th June 2024
Prop Makers are responsible for making all the props used in a show and ensuring they suit the design of the production. These can range from crockery to weapons and even bigger set pieces. Prop Makers work with a range of different materials including metal, latex, fibreglass, wood and textiles. They work with the production team to ensure the props they are making look authentic and match the era of the production, i.e. Shakespearean, Victorian, Ancient Greece etc. A Prop Maker may also work in the stage management department.
Although you do not need a formal qualification to be a Prop Maker you can learn new skills while studying towards a career in prop making. You can gain qualifications in one of these areas such as:
Find training opportunities in prop making to help you get into theatre here
Prop Makers use a range of different skills to create props, these include the following:
Related skills can include:
Always keep a portfolio of your work. Read our blog 'How to make a costume design portfolio' for some tips.
You would typically start as a Props Assistant, Assistant Stage Manager or Technician. During this time you will gain new skills and experience and work your way up within the department. It's always a good idea to get as much experience as you can.
Many Prop Makers work freelance and they can charge an hourly rate or a day rate, depending their reputation and the estimate work it may take to complete a prop. Read our blog 'How to become a freelancer in theatre' for tips.
The above is a guide. Pay, salary or fee can vary depending on the theatre or company, as well as your personal experience. National institutions or commercial productions can pay in excess of the above, with profit-share or community theatre paying less.
You can find theatre jobs via The Stage Jobs here
https://www.rsc.org.uk/about-us/how-we-make-theatre/props
https://www.planitplus.net/JobProfiles/View/831/97
https://www.inputyouth.co.uk/jobguides/job-propmaker.html
https://www.erieri.com/salary/job/prop-maker/united-kingdom/london
Photo: Alex Brenner
Updated: 6th June 2024
Work experience is a short term placement in an organisation which gives you a feel for the role. It also helps you see what a day in the life looks like for someone who has that particular job. As part of your work experience you’ll likely carry out only a few important tasks, and will mainly complete other tasks such as assisting, making tea and coffee and photocopying etc. It will give you a chance to observe and see what you could be doing in the future.
Some work experience placements are paid and some are not. It is up to the organisation and depends on what tasks they will get you to do. Generally, work experience is usually unpaid because it’s over a short period of time, however your travel and/or lunch costs will often be covered or reimbursed.
Find work experience opportunities here.
Nothing impresses an employer more than seeing that you’ve gone out of your way (especially during your free time) to gain work experience and improve on your skills. This shows enthusiasm and dedication to your future career. There are many benefits of work experience such as:
For more info about work experience in the creative industries, you can also take a look at our blog 'Where can I find general careers information about the creative industries?'
Work experience is great for all the reasons above, but we must highlight concerns around the exploitation of young people. When you get involved in these experience opportunities you must be aware of the impact of low or unpaid work and also ensure you know your rights beforehand.
Find theatre vacancies with The Stage Jobs here
Photo: Alex Brenner
Published: 16 May 2019
The main thing to know is that the term 'volunteering' stands for 'a person who works for an organisation without being paid.' If you complete volunteer work, you'll be working completely for free and you will not have a contract of employment like interns. However, there are certain policies in place to protect you and the organisation. These policies state that both you and the organisation are aware of the expectations of both of you. Volunteers are not eligible for National Minimum Wage as you’re participating by choice, but you'll have more flexibility with your working hours and this can be great.
Search all theatre opportunities here
You don't need any qualifications or experience to apply. You just need to be willing to participate and get involved. This will show your determination and passion for theatre because you want to learn new things and get involved in different aspects of theatre despite not being paid.
Find more theatre careers advice here
Volunteering is great for all the reasons above, but we must highlight concerns around the exploitation of young people. When you get involved in these experience opportunities you must be aware of the impact of low or unpaid work and also ensure you know your rights beforehand.
You can find volunteering opportunities here.
Find theatre vacancies with The Stage Jobs here
Photo: Alex Brenner
Published: 16 May 2019
There are many different types of internships within the theatre industry, so we’re going to tell you about them in general and also make sure you know your rights.
Internships are similar to work experience but they are fixed-term placements and are often referred to as a 'traineeship'. They aim to give you a better understanding of employment and the day-to-day tasks of the job you’ve chosen. Interns are normally set a number of different tasks to complete during their placement. Read our blog 'Where can I find general careers information about the creative industries?' for more information.
Search all theatre opportunities here
Employers must pay interns at least the National Minimum Wage - unless the company is a registered charity. You’ll be completing tasks a member of staff would do and it's only fair that you should be paid for your work.
Find more theatre careers advice here
Be sure to know your rights within the theatre industry, especially when gaining experience. Internships are great for all the reasons above, but we must highlight concerns around the exploitation of young people. When you get involved in these experience opportunities you must be aware of the impact of low or unpaid work and also ensure you know your rights beforehand.
You can find internship opportunities here with The Stage Jobs.
Photo: Alex Brenner
Published: 16 May 2019
Gaining work experience or on the job training is a great way to give yourself a better chance of getting into theatre. When applying for a job in theatre, employers will want to see your determination and your passion for wanting a career in the theatre industry.
There are different kinds of theatre experience you can gain and any type of experience will benefit you in a number of different ways and look great on your CV. These are listed below.
Click on each type of experience for more information.
It is important that we highlight and make you aware of instances where young people are exploited. You must be cautious of low and unpaid work and you must know your rights when applying for these experience opportunities.
Find more theatre careers advice here
Photo: Royal Opera House
Published: 16 May 2019
Theatre Sound Technician Michael Poon, has worked on shows including the West End production of Company, as well as War Horse, Lazarus (the David Bowie musical) and Chicago. Michael offers an insight into how to work in a theatre's sound department, the misconceptions of the theatre profession and his biggest obstacles.
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Search all theatre opportunities here
Transcript:
Hi, I'm Mike Poon, I am 32 and I'm a sound operator. I was born in London and I moved to Singapore when I was three and I only came back to London when I was 18 to study and that was when I was exposed to theatre really for the first time properly. I started working front of house at a theatre actually and I met the Head of Sound who was working on the show at the time and eventually I asked him for a job, and of course it wasn't anything full-time but he luckily gave me a job as a casual member of backstage staff, and that kind of led to this career.
I worked on War Horse and on Lazarus the David Bowie musical. I've even toured both within the UK and internationally such as I've been to China with Chicago (musical) and now I'm one of the company at the Gielgud Theatre. The staff, the people you work with very quickly become your family and the feeling of creativity, it is seen as a very technical role but realistically it isn't just being technical. There's a huge amount creativity in it as well. I think coming from my background the biggest obstacle for me going into theatre was I was always very very pressured academically and I did perform well but it was to go into your standard real jobs working in finance that sort of thing.
So when I eventually did move into theatre it was viewed very much as that 'this isn't a real job' and the easiest way of overcoming that is by being really good at it. Work hard and buy nice things and pay your rent and actually have a career and that's how you prove them wrong. If I could give advice to someone just starting out I think it would be enthusiastic, really listen, really pay attention and don't take criticism too hard. I think two things you could do is if your school or anywhere nearby offers work experience opportunities really go for it and take those and another thing is if you've seen a show and you enjoy it, write to the Sound Designer, write to the sound team. If I could turn back time I would have started sooner. I didn't start late by any means but I'm glad I did lots of other things but I would jump straight in.
Find more theatre careers advice here
Published: 08 March 2019
Theatre Lighting Designer and Technician Rajiv Pattani has worked on shows at venues including the Pleasance Theatre, Kings Head Theatre and the Bush Theatre where he is currently the Senior Technician. He offers advice on how to kick-start a career in this profession, and how to overcome obstacles that could stop you pursuing a career in theatre.
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Find more lighting opportunities here and opportunities in technical theatre here
Transcript:
Hi, my name is Rajiv Pattani. I'm 29 years old and I was born in Britain but with a Gujarati background. My story is, I've always been involved in theatre from a young age but my parents background was always academic so they pushed me in that route. But it wasn't until recently they realised I am good at what I do, which is a theatre Lighting Designer. Well starting from primary school I started being involved in school productions and that led to the Young Vic theatre putting on mask making workshops and various other helpful tools. I then went off to my secondary school and was very more academic because of my parents' route, but I managed to sneak in GCSE drama.
Once I left secondary school I went to Hamleys, the toy store, and I was working there for three and a half years. But it just wasn't the same as wanting to be in a theatre, which I got a great break at the Young Vic theatre with their backstage workshop placement working as a Lighting Technician. After leaving LAMDA (London Academy of Music & Dramatic Art) I went off to work at the Pleasance Theatre in London. I then went freelance and working with various designers and directors. One show in particular was Might Never Happen at the King's Head Theatre. Then I started as a casual Technician at the Bush Theatre to now where I'm their Senior Technician at the Bush Theatre. What I like the most about what I do involves working with all of the creatives and the Designers, Directors, production staff, production teams and how we achieve the end goal vision.
What obstacles I faced when I was younger was parental pressure wanting me to become a academic student rather than my own creative visual, so I had to fight them on many occasions, get them involved, bring them down, see the shows that I'm working on, that's where I started to actually change their opinion. Three things you can do to help you become a Lighting Designer is to seek out with this website your local theatre on backstage apprenticeships and courses. Apply for drama schools in the technical theatre field and if you've seen any productions that you liked the lighting design of it email the Lighting Designer.
Search technical theatre vacancies on The Stage Jobs here
Published: 07 March 2019
From the outside the theatre industry can feel daunting, especially if you don’t understand some of the language or jargon that people use. Our beginner’s guide to the theatre industry is a great starting point to help you understand the basic theatre terms and definitions to words such as ‘the half', ‘tabs’ and ‘wings' and so much more. So next time you’re going to an audition, job interview or starting some work experience you’ll be able to show off your expert theatre industry knowledge by using these theatre terms.
Can refer to Artistic Director or Assistant Director
From Latin phrase 'Ad libitum' which translates to 'at one's pleasure'. For an Actor to speak and move in character without direction or following the script. Often used if a mistake is made and the actor improvises to get back to the script
Someone who acts on behalf of Performers to help find them work
Amateur dramatics, non-professional theatre
The front of the stage that juts out in front of the proscenium arch
Someone who oversees the artistic programme of the theatre as well as managing funding, budgets and staff
Assistant Stage Manager
A type of interview for a Performer to showcase their talents and check their suitability for a role
The call given to Actors five minutes before the start of the performance to ensure they are in position
The instructions of where the Actors need to stand or move
The American equivalent of the West End, located in Manhattan, New York. A central area for performances such as plays and musicals
The time in which you must arrive for your rehearsals or for the show
The communication system between departments, usually through a headset
The middle of the stage
A sequence of steps and movements for staged dances and performances
Casting an Actor for their ability over what their appearance is. Often used for characters where race, gender or ethnicity is not mentioned in the play
A drama school or performing arts training institution with conservatoire status, meaning training is particularly intensive
Company Stage Manager
A trigger for an action to happen
The end of the show, usually when the actors take their bows
When a theatre is not currently being used for performances
The front of the stage, nearest the auditorium
A school which specialises in teaching about performance and theatre
A rehearsal in costume where the full production is performed
Deputy Stage Manager
A part of a play with speaking roles for only two Actors
Edinburgh Festival Fringe is the largest arts festival in the world. It takes place every August, with a large number of performances at different venues across the city.
When the audience is on one side of the stage
A group of Actors who play background roles and appear in multiple scenes, can also be used to refer to an entire theatre company
A union for people working in the performing arts, including Actors
The rigging system made up of ropes and pulleys that enables Stage Crew to quickly move large pieces of scenery
A metaphor for the invisible and imaginary 'wall' between the Actors on stage and the audience
Theatre that is experimental in style or subject matter. The term comes from the Edinburgh Fringe Festival. The Fringe are small-scale theatres often located above pubs, and are the equivalent of New York's Off-Off-Broadway Theatres and Europe's 'free theatre' groups
Fitting of the set in the theatre
Taking down and removing the set from the theatre
Warning called when the lights are about to be turned off
The call given to Actors half an hour before they are to be called to start the performance. This is given at 35 minutes before the start of the show
Professional photograph of yourself which you hand out at auditions and to Agents
The auditorium
The lights in the auditorium
Short hand for improvisation where an Actor comes up with lines on the spot, unrehearsed
When the audience sit on every side of the stage
Safety curtain used to separate the stage from the audience in case of a fire
The lighting department
Afternoon performance of a show
A speech by only one Actor
An Actor who plays more than one character in a play
An initiative created by the National Theatre where they broadcast their productions live via satellite to cinemas and arts centres around the world
Launch night of a production which invites members of the press to review the production for their publication e.g The Stage
A set of performances for the public before its official opening. They are used by Directors to highlight any problems and correct them before opening/press night when critics review the production
Someone who tells Actors their lines if they forget them, or the act of telling actors their lines if they have forgotten them
Research and development - often used to explore a new idea/concept
A system of theatre where one group of Actors appear in multiple productions at the same time. Often shortened to just Rep
A re-staging of a production after its original run has closed
A system of ropes and chains to support some sort of frames i.e. the set of a production or lighting
The Royal Shakespeare Company. A theatre company who perform the works of Shakespeare and Playwrights of today. Their main home is in Stratford-upon-Avon, Shakespeare's birthplace.
Text of a play
William Shakespeare. English Poet, Playwright and Actor. Regarded as the greatest Playwright in the English language and the world's greatest Dramatist
A performance for Performers to showcase their talent to industry professionals in a hope of gaining work and or an Agent
Used in musical theatre and opera - first rehearsal between the Singers and the Orchestra
Stage Manager
Society of London Theatre is the trade organisation representing West End theatres and other major London theatres
A casting notices website
Left hand side of the stage in accordance to those on the stage facing the audience (if you are standing on the stage looking out to the auditorium, this will be on your left)
Right hand side of the stage in accordance to those on the stage facing the audience (if you are standing on the stage looking out to the auditorium, this will be on your right)
First run of the show in order of events
To remove the set from the stage
Short hand for sound
A rehearsal to practice the technical elements of the performance
The world's oldest and best theatre publication, offering theatre news from London's West End and across the UK, including news, jobs and interviews. Visit thestage.co.uk
A type of staging which includes the stage extending past the proscenium arch into the auditorium. The thrust will have audience sit on three sides of the stage
Running through the play in sections where the cues need to be practised, such as a lighting or sound change. The Actors will only say the lines at the beginning and end of each section for the cues
Type of staging where the audience sit on either side of the stage, facing each other
UK's leading theatre and performing arts membership organisation. They promote excellence, professional development and campaign to improve resilience and increase audiences across the sector
The back of the stage, nearest the backdrop
A department within a production or theatre where all costumes and props are made, kept and maintained
The main commercial and subsidised theatres in London, including its oldest and most prestigious venues. The British version of Broadway
The sides of the stage (offstage)
A form of documented theatre in which plays are constructed from the precise words spoken by people interviewed about a particular event or topic
Often referred to as a showreel, it is a short edited video which showcases an individual's previous work in video
A short edited video which showcases an individual's previous voice work on video
Find more theatre careers advice here
Photo: Arts Educational Schools, London
